紅字的英文讀后感
共30篇書評(píng)。
點(diǎn)擊打開。
between Hawthorne's earlier and his later productions there is no solution of literary continuity, but only increased growth and grasp. Rappaccini's Daughter, Young Goodman Brown, Peter Goldthwaite's Treasure, and The Artist of the Beautiful, on the one side, are the promise which is fulfilled in The Scarlet Letter and the House of The Seven Gables, on the other; though we should hardly have understood the promise had not the fulfillment explained it. The shorter pieces have a lyrical quality, but the longer romances express more than a mere combination of lyrics; they have a rich, multifarious life of their own. The material is so wrought as to become incidental to something loftier and greater, for which our previous analysis of the contents of the egg had not prepared us. The Scarlet Letter was the first, and the tendency of criticism is to pronounce it the most impressive, also, of these ampler productions. It has the charm of unconsciousness; the author did not realize while he worked, that this most prolix among tales was alive with the miraculous vitality of genius. It combines the strength and substance of an oak with the subtle organization of a rose, and is great, not of malice aforethought, but inevitably. It goes to the root of the matter, and reaches some unconventional conclusions, which, however, would scarce be apprehended by one reader in twenty. For the external or literal significance of the story, though in strict correspondence with the spirit, conceals that spirit from the literal eye. The reader may choose his depth according to his inches but only a tall man will touch the bottom.The punishment of the scarlet letter is a historical fact; and, apart from the symbol thus ready provided to the author's hand, such a book as The Scarlet Letter would doubtless never have existed. But the symbol gave the touch whereby Hawthorne's disconnected thoughts on the subject were united and crystallized in organic form. Evidently, likewise, it was a source of inspiration, suggesting new aspects and features of the truth,—a sort of witch-hazel to detect spiritual gold. Some such figurative emblem, introduced in a matter-of-fact way, but gradually invested with supernatural attributes, was one of Hawthorne's favorite devices in his stories. We may realize its value, in the present case, by imagining the book with the scarlet letter omitted. It is not practically essential to the plot. But the scarlet letter uplifts the theme from the material to the spiritual level. It is the concentration and type of the whole argument. It transmutes the prose into poetry. It serves as a formula for the conveyance of ideas otherwise too subtle for words, as well as to enhance the gloomy picturesqueness of the moral scenery. It burns upon its wearer's breast, it casts a lurid glow along her pathway, it isolates her among mankind, and is at the same time the mystic talisman to reveal to her the guilt hidden in other hearts. It is the Black Man's mark, and the first plaything of the infant Pearl. As the story develops, the scarlet letter becomes the dominant figure,—everything is tinged with its sinister glare. By a ghastly miracle its semblance is reproduced upon the breast of the minister, where God's eye beheld it! the angels were forever pointing at it! the devil knew it well, and fretted it continually with the touch of his burning finger!—and at last, to Dimmesdale's crazed imagination, its spectre appears even in the midnight sky as if heaven itself had caught the contagion of his so zealously hidden sin. So strongly is the scarlet letter rooted in every chapter and almost every sentence of the book that bears its name. And yet it would probably have incommoded the average novelist. The wand of Prospero, so far from aiding the uninititated, trips him up, and scorches his fingers. Between genius and every other attribute of the mind is a difference not of degree, but of kind. Every story may be viewed under two aspects: as the logical evolution of a conclusion from a premise, and as something colored and modified by the personal qualities of the author. If the latter have genius, his share in the product is comparable to nature's in a work of human art,—giving it everything except abstract form. But the majority of fiction-mongers are apt to impair rather than enhance the beauty of the abstract form of their conception, -- if, indeed, it possess any to begin with. At all events, there is no better method of determining the value of a writer's part in a given work than to consider the work in what may be termed its prenatal state. How much, for example, of The Scarlet Letter was ready made before Hawthorne touched it? The date is historically fixed at about the middle of the seventeenth century. The stage properties, so to speak, are well adapted to become the furniture and background of a romantic narrative. A gloomy and energetic religious sect, pioneers in a virgin land, with the wolf and the Indian at their doors, but with memories of England in their hearts and English traditions and prejudices in their minds; weak in numbers, but strong in spirit; with no cultivation save that of the Bible and the sword; victims, moreover of a dark and bloody superstition,—such a people and scene give admirable relief and color to a tale of human frailty and sorrow. Amidst such surroundings, then, the figure of a woman stands, with the scarlet letter on her bosom. But here we come to a pause, and must look to the author for the next step.For where shall the story begin? A twenty-number novel, of the Dickens or Thackeray type, would start with Hester's girlhood, and the bulk of the narrative would treat of the genesis and accomplishment of the crime. Nor are hints wanting that this phase of the theme had been canvassed in Hawthorne's mind. We have glimpses of the heroine in the antique gentility of her English home; we see the bald brow and reverend beard of her father, and her mother's expression of heedful and anxious love; we behold the girl's own face, glowing with youthful beauty. She meets the pale, elderly scholar, with his dim yet penetrating eyes, and the marriage, loveless on her part and folly on his, takes place; but they saw not the bale-fire of the scarlet letter blazing at the end of their path. The ill-assorted pair make their first home in Amsterdam; but at length, tidings of the Puritan colony in Massachusetts reaching them, they prepare to emigrate thither. But Prynne, himself delaying to adjust certain affairs, sends his young, beautiful, wealthy wife in advance to assume her station in the pioneer settlement. In the wild, free air of that new world her spirits kindled, and many unsuspected tendencies of her impulsive and passionate nature were revealed to her. The rich, voluptuous, Oriental characteristics of her temperament, her ardent love of beauty, her strong intellectual fibre, and her native energy and capacity,—such elements needed a strong and wise hand to curb and guide them, scarcely disguised as they were by the light and graceful foliage of her innocent, womanly charm. Being left, however, for two years to her own misguidance, her husband had little cause to wonder, when, on emerging from the forest, the first object to meet his eyes was Hester Prynne, standing up, a statue of ignominy, before the people. She doubtless was strongly tempted to her fall; and though the author leaves the matter there, so far as any explicit statement is concerned, it is manifest that, had he written out what was already pictured before his imagination, the few pregnant hints scattered through the volume would have been developed into as circumstantial and laborious a narrative as any the most deliberate English or French novelist could desire.For his forbearance he has received much praise from well-meaning critics, who seem to think that he was restrained by considerations of morality or propriety. This appears a little strained. As an artist and as a man of a certain temperament, Hawthorne treated that side of the subject which seemed to him the more powerful and interesting. But a writer who works with deep insight and truthful purpose can never be guilty of a lack of decency. Indecency is a creation, not of God or of nature, but of the indecent. And whoever takes it for granted that indecency is necessarily involved in telling the story of an illicit passion has studied human nature and good literature to poor purpose.
求美國(guó)文學(xué)一篇文章的讀后感。
英文200字。
馬克吐溫的，紅字，艾默生的等，都可以。
全英文的哦
The Scarlet LetterThe scarlet letter stands as the best work of Hawthorn and one of the indubitable masterpieces of American literature ，in which Hawthorne remarkably handls the Puritan background，and carefully suppresses everything expect the deep shadows from which the grim tragedy naturally proceeds . the theme of novel is depicting sin and its consequences around which the moods created are those feelings are remorse,sorrow ,and despaire .moreover ,all these feelings are woven so completely and harmoniously into the story that its characters,action,and setting blend into a delicate but enduring work of art . The story that the novel tells is very simple.it main tells a story about an adultery .Her mother was found guilty of adultery and giving birth to Pearl ,and condemned to wear on the breast of her grown the scarlet letter A.which stood for adultary.It was imprinted on the flesh above his heart.because she can not find her husband .they gain a lot of taunt and unfair treatment.at last,she found her father and died .but she still wore the letter A on his breast,which was no longer the sign pf shame,but am emblem of her tender mercy and kindness .At her death she hoped that the only inscription on her tombstone should be the scarlet letter A.希望對(duì)你有所幫助 沒有在網(wǎng)上查找資料
讀《讀者》讀后感100字30篇
不容易啊;太少分了~~~ 1.荷香月色，詩(shī)情畫意 層層的葉子中間，零星地點(diǎn)綴著些白花，有裊娜開著的，有羞澀地打著朵兒的；正如一粒粒的明珠，又如碧天里的星星，又如剛出浴的美人。
微風(fēng)過處，送來(lái)縷縷清香，仿佛遠(yuǎn)處高樓上渺茫的歌聲似的 全文就像是一幅工筆畫，為我們描繪出了一幅荷塘月色圖。
作者沒有提及月光，但不管是靜止畫面還是動(dòng)態(tài)景象，處處都存在著淡淡的月光，這月色就融化在作者通過觀察之后的具體描寫之中。
那葉子、花朵的情態(tài)，以及被微風(fēng)帶起的凝碧的波痕，都是在輕淡月色? 2.老人與?！愤@本書講了這么一個(gè)故事：古巴老漁夫圣地亞哥連續(xù)八十四天沒捕到魚，被別的漁夫看做失敗者，可是他堅(jiān)持不懈，終于釣到了一條大馬林魚，大馬林魚將他的小船在海上拖了三天才筋疲力盡，被他殺死了綁在小船的一邊，在歸程中一再遭到鯊魚的襲擊，他用盡了一切手段來(lái)反擊。
回港時(shí)只剩魚頭魚尾和一條脊骨。
盡管魚肉都被咬去了，但什么也無(wú)法摧殘他的英勇意志。
圣地亞哥是個(gè)可憐的老頭。
海明威以自己精煉的語(yǔ)言塑造了這個(gè)形象，可以說，海明威并沒有給予老人成功，卻賦予老人在壓力下優(yōu)雅而堅(jiān)韌的形象。
今后，我不管遇到什么困難，都要信心十足地去面對(duì)，堅(jiān)持到底，決不退縮。
我要感謝這本書，感謝它讓我學(xué)到了那么多知識(shí)，感謝它讓我懂得了那么多道理，感謝它讓我知道自己的不足，及時(shí)改正自己的缺點(diǎn)，使我成為一個(gè)對(duì)社會(huì)有用的人。
一個(gè)真正的強(qiáng)者，只能被摧毀而不能被擊敗威并沒有給予老人成功，卻賦予老人在壓力下優(yōu)雅而堅(jiān)韌的形象。
3.青年作家特里勃列夫痛感“現(xiàn)代戲劇全是俗套和偏見”，寫了個(gè)形式新穎的劇本，由他的一心想當(dāng)演員的戀人妮娜來(lái)主演，但這次演出因遭特里勃列夫的母親、名演員阿爾卡基娜的挑剔而中斷。
妮娜受不住榮譽(yù)的誘惑，投入了名作家特里果林的懷抱。
很快妮娜被這位名作家遺棄，不久孩子又夭折。
但生活的磨難并沒有把妮娜壓垮，經(jīng)過艱苦奮斗她終于成為一個(gè)好演員。
兩年之后，面對(duì)事業(yè)成功的妮娜 ，一事無(wú)成 的特里勃列夫在絕望中開槍自殺。
寫了藝術(shù)與世俗的沖突，以及藝術(shù)天才在生活重壓下痛苦掙扎的艱辛。
4.它描寫患肺炎的窮學(xué)生瓊西看著窗外對(duì)面情上的爬山虎葉子不斷被風(fēng)吹落，他說，最后一片葉子代表她，它的飄落，代表自己的死亡。
貝爾曼，一個(gè)偉大的畫家，在聽完蘇講述完同學(xué)瓊西的故事后，在最后一片葉子飄落，下著暴雨的夜里，用心靈的畫筆畫出了一片“永不凋落”的長(zhǎng)春藤葉，編造了一個(gè)善良且真實(shí)的謊言，而自己卻從此患上肺炎，一病不起。
最后一片常春藤葉依然留在古老的墻面；瓊西也綻放出了往日的笑容；偉大的畫家貝爾曼永遠(yuǎn)留在人們的心中。
文中作者著力挖掘和贊美小人物的偉大人格和高尚品德，展示他們向往人性世界的美好愿望。
最后一片葉子”的故事，讓我們著實(shí)為瓊西的命運(yùn)緊張了一番，為蘇的友誼感嘆了一回，為貝爾門的博愛震撼了一次。
5、 讀有感 這篇文章很早前我已在上讀過，當(dāng)時(shí)我就很喜歡它，現(xiàn)在又反復(fù)讀了幾遍，印象更深了。
它的名字叫。
短短的幾句話，包含了深深的哲理。
兩句話語(yǔ)，代表了兩種不同的人生觀。
玫瑰園里，有一對(duì)雙胞胎和她們的母親。
雙胞胎對(duì)玫瑰園的看法是這樣的：“這是個(gè)壞地方
因?yàn)槊慷浠ㄏ旅娑加写獭?/p>
”“這是個(gè)好地方
因?yàn)槊繀泊躺隙加谢ā?/p>
” 道理很明了不同的角度看事物都會(huì)有不同的想法，這個(gè)法則可以用到任何方面，只要用積極、樂觀的態(tài)度去面對(duì)一切的話，會(huì)有最好的結(jié)尾
6、一個(gè)令人難以置信的道理 “百分之九十九的煩惱不會(huì)發(fā)生。
”這句話你相信嗎
我猶猶豫豫的，半信半疑。
又一起的里，就有一篇這樣的文章，題目就是，它用一個(gè)個(gè)鮮明的事例來(lái)說明這個(gè)道理，好神奇耶
神奇歸神奇，我還是認(rèn)為這是一句安慰人的話，因?yàn)檫@感覺有點(diǎn)不可思議，如果煩惱都不會(huì)發(fā)生，那還煩惱什么
如果真的是對(duì)的，那……不是太偉大了
我做了一個(gè)實(shí)驗(yàn)，寫下了3個(gè)煩惱，果然，一個(gè)也沒發(fā)生，實(shí)在太令我吃驚了。
你一定不信，我看你可以試試。
（那個(gè)煩惱一定要現(xiàn)實(shí)哦） 7讀有感 寫得不錯(cuò)，內(nèi)容也很有味道，好
11歲的孤兒安妮被錯(cuò)送到住在綠屋的一對(duì)夫婦家，因?yàn)榘材莸目蓯?，那?duì)夫婦收留了安妮。
于是綠屋的安妮上學(xué)了，發(fā)生了許多讓人又可氣又可笑的故事…… 看完了這本書，我不又喜歡上了安妮這個(gè)人物形象，她活潑、大膽、可愛、聰明、善良，最重要的是她極富想象力，樂觀極了，在她眼里，什么都是美好的。
她愛說話，中嘰嘰喳喳地說個(gè)不停，我倒希望和她交朋友，有她在我永遠(yuǎn)都不會(huì)寂寞了。
我希望能做個(gè)像安妮一樣的女孩，討人喜歡的可愛女孩。
因?yàn)榕⒉皇且驗(yàn)槊利惒趴蓯郏且驗(yàn)榭蓯鄄琶利悺?/p>
8讀了后，我感受至深。
我發(fā)現(xiàn)了“愛”會(huì)讓人笑；“愛”會(huì)讓人哭；“愛”會(huì)讓人煩……人所有的喜怒哀樂都是來(lái)自與“愛”，但是“愛”卻令人無(wú)法抗拒，令人無(wú)法放棄。
如果，這個(gè)世界充滿愛，那每個(gè)人的臉上就會(huì)只剩下笑容；如果，這個(gè)世界沒有愛，那每個(gè)人的臉上就會(huì)只剩下悔恨的淚。
在這兩者之間，你會(huì)選擇哪一個(gè)呢
如果選擇前者，那世界便會(huì)“歡迎你”，如果選擇后者，那世界便會(huì)“遠(yuǎn)離你”
9在中,我最欣賞的就是曹操了,雖然為了突出劉備的仁義,他被寫成奸詐之人,但是他的軍事才能仍然沒有抹殺.他在幾年的東征西戰(zhàn)中,占領(lǐng)了長(zhǎng)江以北的大片土地,連少數(shù)民族都臣服于他,他是三位郡主中最有才干的,魏也是三國(guó)中最強(qiáng)盛的,他奠定了魏國(guó)的基礎(chǔ),后來(lái)晉國(guó)才能統(tǒng)一天下,所以他是一位真真正正的英雄。
10是一部所有人都愛讀的經(jīng)典大作，每個(gè)人都能在解讀它時(shí)獲取不同的感覺和啟示，有人喜歡它鮮明的人物個(gè)性；有人喜歡它瑰麗的整體形象；有人喜歡它活潑詼諧的對(duì)話旁白；有人還研究它的歷史背景、社會(huì)現(xiàn)象。
但在我看來(lái)，他那曲折的情節(jié)中暗藏著人們渴望而不可及的生活理想和人性追求，那就是——自由。
11在梁山的108將中，我覺得最不完美的要數(shù)宋江了。
如果 他 不去謀什么招安，而是去聯(lián)合江南人馬一起反抗昏帝，那么我相信，最后的結(jié)果一定是天下的百姓都過上了幸福的日子。
在方臘與兒子方天定入刑場(chǎng)時(shí)，有一位詩(shī)人不僅發(fā)出了感嘆：“宋江重賞升官日，方臘當(dāng)刑受剮時(shí)。
善惡到頭總有報(bào)，只爭(zhēng)來(lái)早與來(lái)遲”。
但我卻覺得宋江的“善”并不是真“善”，與此相反，方臘的“惡”也不是真“惡”，而是為了打擊昏庸無(wú)能的皇帝，為天下的老百姓造福
12是一則老師在課堂上宣讀的故事，故事講述了一位流浪的小男孩給一支騎兵小隊(duì)當(dāng)哨兵，為了看清楚敵軍的情況，他不顧危險(xiǎn)，勇敢地爬上樹梢，最后為祖國(guó)獻(xiàn)出了自己的生命。
故事宣揚(yáng)了普通的人對(duì)祖國(guó)的熱愛之心，從故事中，我感受到了勇敢和忠誠(chéng)，感受到了拳拳的赤子之心。
13《愛國(guó)》是一篇爸爸寫給恩里科文章，爸爸在恩里科聽了一個(gè)愛國(guó)故事以后，用這個(gè)故事的內(nèi)容教育、啟發(fā)恩里科。
通過這本書我感受到恩里科對(duì)祖國(guó)崇高偉大的愛國(guó)情意。
14讀《永別了武器》 一個(gè)告別了武器的人,不是敵人的俘虜,就是愛的俘虜.我不是不善于自我保護(hù),實(shí)在是一個(gè)放棄自我保護(hù)的人.就如同生命的數(shù)據(jù)庫(kù),已經(jīng)不需要進(jìn)入的密碼,隨時(shí)都可以打開全部程序,可以讀出全部的文件.我說的俘虜,就是這個(gè)意義上的俘虜.當(dāng)我把自我放到陽(yáng)光下的時(shí)侯,我明白從此不能有所偽裝,隱蔽的日子一想起就令人不安.當(dāng)我意識(shí)到抗拒的無(wú)奈,有多少時(shí)間無(wú)可挽回,有多少記憶漸漸從內(nèi)心淡出.說到底,俘虜就是一個(gè)不能抵擋傷害的人,就是要有足夠的勇氣放棄希望,必須承受生存的全部壓力.本來(lái),在屬于個(gè)人的空間,可以沉浸于獨(dú)自的幻想,可以從塵埃里開出虛擬的花朵.而一個(gè)放棄自我保護(hù)的人是連欺騙自己都不能,只有不斷地凈化內(nèi)心世界. 15《釋夢(mèng)》讀后感 弗洛伊德(1856--l939)是奧地利著名的精神病學(xué)家,精神分析學(xué)派的創(chuàng)始人.他的著作橫跨半個(gè)世紀(jì),對(duì)文學(xué),哲學(xué),神學(xué),倫理學(xué),美學(xué),政治科學(xué),社會(huì)學(xué)和大眾心理產(chǎn)生了廣泛而深入的影響,如果以影響的范圍作為衡量偉大的標(biāo)準(zhǔn),那么弗洛伊德無(wú)疑是最偉大的心理學(xué)家.弗洛伊德發(fā)動(dòng)了人類思想史上又一次哥白尼式革命,他指出人類的無(wú)意識(shí)是無(wú)法被意識(shí)所控制,人類的潛意識(shí)中蘊(yùn)含了巨大的心理內(nèi)容,他以最理性的聲音訴說了人類的無(wú)理性.《釋夢(mèng)》是弗洛伊德支柱性的學(xué)術(shù)著作.通過對(duì)夢(mèng)的研究極大地拓展了人類對(duì)自身的探究的幅度,對(duì)我們的生活產(chǎn)生了深遠(yuǎn)的影響. 16《水滸傳》一書記述了以宋江為首的一百零八好漢從聚義梁山泊,到受朝廷招安,再到大破遼兵,最后剿滅叛黨,卻遭奸人謀害的英雄故事.讀完全書,印在我腦海里揮之不去的只有兩個(gè)字:忠,義. 忠,即是對(duì)自己的祖國(guó),對(duì)自己身邊的親人,朋友盡心竭力.宋江在種種威逼利誘之下,仍然對(duì)自己的祖國(guó)忠心耿耿,這就是忠;林沖的妻子在林沖被逼上梁山之后,對(duì)高俅之子的凌辱,寧死不屈,最終上吊自殺,這也是忠.在當(dāng)今這個(gè)社會(huì)中,相信很多人都能做到一個(gè)忠字,但是,卻很少有人能夠做到一個(gè)義字. 17讀《永別了武器》 一個(gè)告別了武器的人,不是敵人的俘虜,就是愛的俘虜.我不是不善于自我保護(hù),實(shí)在是一個(gè)放棄自我保護(hù)的人.就如同生命的數(shù)據(jù)庫(kù),已經(jīng)不需要進(jìn)入的密碼,隨時(shí)都可以打開全部程序,可以讀出全部的文件.我說的俘虜,就是這個(gè)意義上的俘虜.當(dāng)我把自我放到陽(yáng)光下的時(shí)侯,我明白從此不能有所偽裝,隱蔽的日子一想起就令人不安.當(dāng)我意識(shí)到抗拒的無(wú)奈,有多少時(shí)間無(wú)可挽回,有多少記憶漸漸從內(nèi)心淡出.說到底,俘虜就是一個(gè)不能抵擋傷害的人,就是要有足夠的勇氣放棄希望,必須承受生存的全部壓力.本來(lái),在屬于個(gè)人的空間,可以沉浸于獨(dú)自的幻想,可以從塵埃里開出虛擬的花朵.而一個(gè)放棄自我保護(hù)的人是連欺騙自己都不能,只有不斷地凈化內(nèi)心世界. 18小故事大道理100字讀后感 這幾天一口氣讀完了《小故事大道理》這本書。
書中共收集了100多個(gè)100字左右小故事讀后沉思，頓覺豁然開朗。
感到世間充滿了美好和快樂，沒有什么事情可以把人難倒。
生活中心態(tài)很重要，做人心胸要開闊，命運(yùn)要自己掌握。
為人要厚道，待人要誠(chéng)實(shí)，困難面前要堅(jiān)強(qiáng)，這世界上沒有翻不過去的山，沒有過不去的河。
摘記幾篇100字左右的小故事大道理給大家共勉。
小故事大道理100字：丟了一只鞋 一個(gè)老人在高速行駛的火車上不小心把剛買的新鞋從窗口上弄出去了一只，周圍的人倍感惋惜，不料那老人立即把第二只鞋也從窗口扔了下去。
這舉動(dòng)更讓人大吃一驚。
“是這樣，老人解釋道，這一只鞋無(wú)論多么昂貴，對(duì)我而言都沒有用了，如果有誰(shuí)能撿到一雙鞋子，說不定他還能穿呢
” 大道理：與其抱殘守缺，不如就地放棄。
事物的價(jià)值不在于誰(shuí)占有，而在于如何占有。
失去不一定是損失，也可能是獲得。
小故事大道理100字：難解的結(jié) 古羅馬時(shí)代，一位預(yù)言家在一座城市內(nèi)設(shè)下可一個(gè)奇特難解的結(jié)，并且預(yù)言，將來(lái)解開這個(gè)結(jié)的人必定是亞細(xì)亞的統(tǒng)治者。
長(zhǎng)久以來(lái)，雖然許多人勇敢嘗試，但是，依然無(wú)人解開這個(gè)結(jié)。
當(dāng)時(shí)身為馬其頓將軍 ... 19讀了《圓明園的毀滅》這篇課文，我悟到了一個(gè)道理：落后就要挨打。
今天，我們生活在和平安定的環(huán)境里，但我們不能忘記以前血的歷史。
我們只有努力學(xué)習(xí)，奮發(fā)圖強(qiáng)學(xué)好各項(xiàng)本領(lǐng)，才能保衛(wèi)我們的國(guó)家永不受辱，歷史不在重演。
20《章魚拜師》主要是介紹許多動(dòng)物各個(gè)部位的作用和生活習(xí)性的。
比如說《尾巴歌》讓我知道了各種動(dòng)物尾巴都很有用處，而且是用兒歌的方式來(lái)寫的，讓我們讀起來(lái)既朗朗上口，又容易理解，很適合我們小朋友讀。
這真是一本好書，很值得我們?nèi)タ础?/p>
能讓我們更加了解這個(gè)神奇的世界，更懂得動(dòng)物的好處和習(xí)性，我們就能與他們和平共處了。
21 看完《人皮論語(yǔ)》本書，長(zhǎng)嘆口氣忽，然想做一個(gè)俠客，哪怕此生，只做一件自己喜歡的事，我想也是有意義的。
史可明鑒，倘若，這樣的歷史并不是真實(shí)的呢
有誰(shuí)還可以再相信道德，相信仁愛
統(tǒng)統(tǒng)都是利用，都是工具罷了。
鄭板橋老先生有一句話是對(duì)的：難得糊涂啊。
22看完《平凡的世界》很有感悟。
人在社會(huì)的大背景下真的是很渺小、平凡的，好似是大漠里的一粒沙塵，是那么的微不足到，但是沙漠卻不能缺少這一粒粒、一顆顆的沙塵。
就像是人不能缺少那種中流砥柱的精神一樣。
23《原諒我紅塵顛倒》是一部發(fā)人深思的故事，描寫的是當(dāng)下社會(huì)的黑暗面，也正是這本書徹底顛覆了我對(duì)司法界的認(rèn)識(shí)。
沉悶了幾天也調(diào)整不過來(lái)自己的心態(tài)，誰(shuí)給告訴我，我是不是看到了真相...... 人間煙塵蒼茫，這一段紅塵顛倒的故事，喚起每個(gè)人的反思和警醒。
24《致加西亞的信》讀后感 在很短的時(shí)間就看完了，知道了羅文的故事。
學(xué)到了歷史。
這書還是吸引人的。
而且知道了別的發(fā)達(dá)國(guó)家也在學(xué)習(xí)，比中國(guó)還早了。
做業(yè)務(wù)或是做工作都有成功的想法在支持自己，看了這書以后就堅(jiān)定，努力是成功的必由之路。
而且知道了有主人公的想法是對(duì)了的，操心習(xí)慣了，以后自己的公司就知道操心了。
25<<世界少兒百科>> 我認(rèn)為這本書很好,因?yàn)樗譃楹芏喟鍓K,分別有,宇宙奧秘,地球萬(wàn)世象,動(dòng)物世界,人體科學(xué),太空科技等. 這本書可以帶給我很多知識(shí),還有很多生動(dòng)的圖片. 就拿世界風(fēng)貌這一模快來(lái)說,清楚地說明每個(gè)國(guó)家的人口,面積,首都,自然景觀及各種受保護(hù)的野生動(dòng)物. 再說宇宙奧秘,它讓我了解宇宙浩瀚無(wú)邊,到處充滿了神秘的氣息,期待更多的科學(xué)家去探索它的奧秘,讓宇宙的真相一點(diǎn)… 26最近我看了一本書叫《黑道巔峰》，在那我看到了我一直尋找的東西： 不是里面的人物多么偉大，他們所做的事多么不可思議，只是因?yàn)樗麄兊囊磺粺嵫托值苤g的義氣深深的震撼著我，感染著我，他們將友誼升華到可以不惜犧牲自己，也要保護(hù)自己兄弟的那個(gè)節(jié)段，讓我為之羨慕，試問世間又有幾人可以做到如此地步，如果能擁此好友，也不妄此生。
27《常識(shí)》是哲學(xué)出身的資深評(píng)論家梁文道的一本時(shí)事評(píng)論集，他的語(yǔ)言稱不上犀利，他無(wú)所不評(píng)論，每篇評(píng)論都與常識(shí)結(jié)合，深入淺出，或貶或褒，文字充滿了思辨，超脫于繁雜塵世，令人深思。
一遍讀下來(lái)了，很多觀念雖不能完全消化，但對(duì)中國(guó)、中國(guó)人民甚至是自己有了進(jìn)一步的了解和認(rèn)識(shí)。
對(duì)很多事情的認(rèn)識(shí)不會(huì)再人云亦云，不再膚淺地去評(píng)論某一事或某一人，不再盲目崇拜也不會(huì)隨便詆毀。
28窮孩子盧比 盧比是個(gè)窮孩子，在他沒有出生的時(shí)候，他的父親就在戰(zhàn)爭(zhēng)中死去了，她的母親靠當(dāng)洗衣婦，來(lái)維持母子倆的生活。
由于長(zhǎng)期的勞累，母親生病了，盧比想請(qǐng)醫(yī)生給母親看病，可那有錢治啊
趁母親睡覺的時(shí)間，盧比走出了門外，外面非常的冷卻依然堅(jiān)持著，辛苦可見一斑。
這個(gè)故事令我深刻，寫出了盧比很孝順自己的母親
29看了《我與地壇》后對(duì)生命對(duì)生活有了新的看法。
一些更深刻的看法，作者史鐵生由地壇的荒廢，自己的殘疾自傷想到了輕生，在母親的呵護(hù)下理解下懂得了生命的真蒂。
而母親卻離開了人世使作者更加悲痛，作者開始追憶往事，思念母親痛悔當(dāng)年對(duì)母親的冷漠，對(duì)母親亂發(fā)脾氣，痛悔自己的輕生。
讓我明白了我們是父母存活的希望，是父母生命最充實(shí)的結(jié)晶。
我們要努力去體會(huì)，去感悟不要失去了才… 30 如果從整體上概括《哈姆雷特》的悲劇性，我覺得可以用“可惜”兩個(gè)字來(lái)形容。
雖然整個(gè)故事的發(fā)展是以復(fù)仇的過程為路線，但當(dāng)真正讀完整個(gè)劇本，你會(huì)發(fā)現(xiàn)你很難真正地去恨里面任何一個(gè)角色。
相反你會(huì)憐憫其中的每一個(gè)人，即便那個(gè)人罪大惡極，即便那個(gè)人善于阿諛諂媚，即便那個(gè)人圓滑老練到讓人覺得可怕的地步。
31讀完《圓明園的毀滅》后，淚水模糊了我的雙眼，我心如刀絞，憤怒無(wú)比。
這種奇恥大辱何止一次，“落后就要挨打”也是先人給后人血的教訓(xùn)；現(xiàn)時(shí)，我們已不再落后，國(guó)家慢慢地昌盛起來(lái)；科技慢慢地發(fā)達(dá)起來(lái)——“發(fā)展才是硬道理”。
現(xiàn)時(shí)，睡獅已醒，在舊社會(huì)的廢墟上建立了社會(huì)主義新國(guó)內(nèi)，巨龍騰飛了
祖國(guó)如同巨人，將永遠(yuǎn)屹立在世界的東方。
未來(lái)將要我們?nèi)?chuàng)造
32 前幾天又買了一本《致我們終將逝去的青春》收藏，順便買了一本辛夷塢的新作《我在回憶里等你》。
剛剛看完，說實(shí)話，有點(diǎn)小小的失望：故事有點(diǎn)做作、拖沓，害得我沒看到一半，就急著看結(jié)局...即便如此，故事的結(jié)局，還是賺到了我的眼淚。
“如果時(shí)光能夠倒流，你會(huì)想去哪里
” “但凡覺得辛苦的，都是強(qiáng)求” “時(shí)光不可倒流，所以最動(dòng)人的誓言不是“我愛你”，…
《當(dāng)你路過我的陽(yáng)光》讀后感，要英文的
The Scarlet Letter makes Hawthorne who is a famous American writer known all over the world. The story begins in 17th century, Boston, then a puritan settlement. The Scarlet Letter by Nathaniel Hawthorne used the scarlet letters to symbolize the harshness of Puritan society, showing how they branded sinners for life. Although Puritan society is unforgiving towards the sinful scarlet letter, their strictness improved the bearers of the sin. The scarlet letter was also an example of how Puritan society will always remember the sin. When strangers looked curiously at the scarlet letter-and none failed to do so, they branded it afresh into Hesters soul. A letter “A” but freshly green, instead of scarlet was created by her, showing how Hawthorne made a jest at the punishment Puritans put upon Hester. And the scarlet letter was also a toy to Pearl, something that she enjoyed. Hawthorne uses the scarlet letter to depict his feelings of the exaggerated emotions of the puritans and their overly dramatic punishments. I also find the symbolism in this novel is used quite skillful. The technique he uses makes his novel more artistic. Next, I will talk about Hawthorne and this novel.
求英語(yǔ)讀后感、觀后感個(gè)三篇（150字以上）
Read The Merchant of Venice Thoughts Shakespeare as Britain's most distinguished artists of the Renaissance, was Marx called the greatest drama genius. Shakespeare's works is almost a tragedy in the world, Romeo and Juliet Millennium sung a thousand tears flow; Hamlet, a melancholy prince happy then why not shocked a large number of people ...... and The Merchant of Venice is Shakespeare Comedy's peak, but it is a comedy in tragedy, it is money to explore this ancient and timeless topics. The Merchant of Venice Antonio to help a friend Bassanio to Belmont, Portia ladies to marry a Jewish usurer Shylock borrow $ 3,000 due to envy there with the long-cherished wish of Antonio Shylock will take the opportunity of revenge, pretending not charge interest, about to play period not yet, creditors have the right to cut out a pound of flesh cut the chest of the debtor. At this point, Jessica, Shylock found her tutor bundle due to unbearable confinement, carrying treasure and Lovers elope. Old man was frantic, appropriate merchant borrowers did not return, missed the repayment date, he shall resort to the law, to ask for their meat, Bassanio, who went to court to rescue high, Antonio stake. In this case, the judge has Baoxiyaqiao loaded with Bassanio married, appeared in court in Venice, clever transport statutes and wonderful sentence, defeat the plaintiff, the defendant rescued. From: Writing Daquan Antonio is a noble, honest, generous man, a play he is a moody image, or that there is some unfounded I put this in the world but as a world, everyone must play one on this stage role, I played a sad role. He is an abomination greedy fraud, especially good-natured, but also a heavy feelings of people, such as Bassanio he said, as long as you plan to conduct acting has always been the same with you openly, then I can make you money bag random access, I can for you to drive; I wish with all my strength, to help you achieve the goal, he is also a usurer, but he was never charged interest on the poor, even in the face of the court. After Shylock means wolf remains of sinister faces and pleading, but also that he was a broad-minded people who do not hold a grudge, but he is also a discrimination against a person of others, in their place will be proud to use colored look on others . But like him a good in our real life is really able to safely live forever? Real life is cruel, do not be so treat yourself to a few friends, if we really have something to help all who would not hesitate to own it? And money is a sensitive topic, as the TV series Liweidangguan in Li Wei said, money is like salt, eat, can eat a lot of salt is not OK, who knows the truth, and yet who Money can escape this off? How many people are planted in the money? Money, profit is everything first, no one would look at the money do not take, and be able to do for money has been pretty good in moderation, but also about what it put money Emotion? But we can not forget the money and put everything behind, not to be fooled by surface phenomena, such as the surface of the text box gold, silver box, lead box of the same: Gold box carved out: Who chose me, going to get The wish of all things inside the paper roll is:.. All that glitters is gold, the ancients did not speak a lie; how many people sell their life, but to see my profile, maggots occupy gilded grave if you and bold and smart, strong and healthy hands and feet, but aging experience, they will not get this reply: Goodbye, advise you to cool down this piece of heart out of a silver box engraved:. Who chose me, going to get what he deserves. inside the roll is: This silver burnt in the fire seven times; it is never wrong judgment, it must go through seven trials. Some people for life to chase phantoms, had sought to meet at the Mirage in. I know some of the world's best Dainiao air with a silver-plated appearance; as you marry a wife what room, could not get rid of this fool's bladder; go, sir, to avoid further delays in time! Outside lead box engraved: Who chose me to be all his sacrifice everything as., Which the roll is: You choose not with appearance, it really gives you straight in the heart swan! Now that victory into your arms, Do not you go down to search elsewhere. It would help if you are satisfied with the results, please accept your lucky, quickly turning your body and give your love a deep kiss. Portia is a new era of women's image, is lively, cheerful, generous, humorous person, even when she was elected to his beloved people, willing to make the hands and feet, and when he was faced with aggressive when Shylock is calm, step by step to make their opponents fall into the trap. In many people are frustrated when a mystery, but let the young girl to solve the Gordian knot in her body shining dawn of the era of female arousal In many people's eyes Lixialuoke is a greedy, stingy, the vampire's image, but also a miser, Let a wonky I guarded the portal, a little worried, Shylock can not be said to be a comedy of tragic figure, defected hungry servant ran his hate people, and his daughter is holding its own property and lover ran away, and finally even lost part of his remaining property, he can really to accompany the wife of another soldier. Remember it is a hatred of evil as people, in retaliation for the abuse of hatred Antonio can not charge interest to let him drill into the trap step by step, in order is to get his piece of meat, but how can he get the meat? He says, Ye brought fishing. In fact, Antonio is a stumbling block to block his way of getting money, in order to have their own way of getting money to put this to get rid of. But he was not born so he was being bullied by a Jew, Hath not a Jew eyes, no limbs, facial features, no feeling, no emotion, no bloody? He's not eating the same food, can be affected by the same weapon injury, also need medical treatment, will feel cold in winter, hot summer will feel, with Christian is? and usually means Antonio could not understand him because of the kind of interest receivable, practices, he often encounter, including Antonio, including Christians insult to him, which greatly hurt his self-esteem and national feelings, with this one, he will naturally lose this opportunity to retaliate machine, while this one is because of his acts of revenge will become reasonable revenge. Money is important, but in this world there are many far more important things than money, do not be fooled by the superficial phenomenon; in which our real life you can not because of his superior discrimination against any person, but also to learn not colored eyes to look at someone else; but also, like Portia, like intelligence, not to be intimidated by the sudden difficulties.
