世界名著英文版讀后感
The novel opens with the famous line, It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.. and ends with two marriages: Jane and Bingley's, as well as Darcy and Elizabeth's. Both couples are assumed to live happily ever after.Elizabeth (Lizzy) Bennet is the core of the family. Elizabeth is the second of Mr. and Mrs. Bennet's five daughters, and is an intelligent, bold, attractive twenty-year-old when the story begins. In addition to being her father's favourite, Elizabeth is characterized as a sensible, yet stubborn, woman. Misled by his cold outward behaviour, Elizabeth originally holds Mr. Darcy in contempt. However, she finds that Mr. Darcy improves on acquaintance, more so than she would expect.Fitzwilliam Darcy (commonly known as Mr. Darcy) is the central male character and Elizabeth's second love interest in the novel. He is an intelligent, wealthy, extremely handsome and reserved 28-year-old man, who often appears haughty or proud to strangers but possesses an honest and kind nature underneath. Initially, he considers Elizabeth his social inferior, unworthy of his attention, but he finds that, despite his inclinations, he cannot deny his feelings for Elizabeth. His initial proposal of marriage is rejected because of his pride and Elizabeth's prejudice against him; however, at the end of the novel, after their relationship has blossomed, he is happily engaged to a loving Elizabeth.Role of women in the 18th centuryIn late-18th-century England, women were relegated to secondary roles in society with respect to property and social responsibilities. For example, women were not permitted to visit new arrivals to the neighbourhood (such as Mr. Bingley in Pride and Prejudice) until the male head of their household had first done so. Women were under enormous pressure to marry for the purpose of securing their financial futures and making valuable social connections for their families. Therefore, marriage, though romanticised, was in many ways a financial transaction and social alliance rather than a matter of love. Although Jane Austen did not condone loveless marriages (she stayed single all her life), she did approve of matches having equality in various respects, including wealth, social status, love and character. In Pride and Prejudice, wealth, social status, chastity (and the perception of chastity) and physical attractiveness are depicted as factors affecting a woman's chances for a good marriage.Published in 1925, The Great Gatsby became an immediate classic and propelled its young author to a fame he never again equalled. The novel captured the spirit of the Jazz Age, a post-World War I era in upper-class America that Fitzgerald himself gave this name to, and the flamboyance of the author and his wife Zelda as they moved about Europe with other American expatriate writers (such as Ernest Hemingway). However, Gatsby expresses more than the exuberance of the times. It depicts the restlessness of what Gertrude Stein (another expatriate modernist writer) called a lost generation. Recalling T. S. Eliot's landmark poem The Wasteland (1922), then, Gatsby also has its own valley of ashes or wasteland where men move about obscurely in the dust, and this imagery of decay, death, and corruption pervades the novel and infects the story and its hero too. Because the novel is not just about one man, James Gatz or Jay Gatsby, but about aspects of the human condition of an era, and themes that transcend time altogether, it is the stuff of myth. Gatsby's attempts to attain an ideal of himself and then to put this ideal to the service of another ideal, romantic love, are attempts to rise above corruption in all its forms. It is this quality in him that Nick Carraway, the novel's narrator, attempts to portray, and in so doing the novel, like its hero, attains a form of enduring greatness.The novel is narrated in retrospect; Nick is writing the account two years after the events of the summer he describes, and this introduces a critical distance and perspective which is conveyed through occasional comments about the story he is telling and how it must appear to a reader. The time scheme of the novel is further complicated as the history of that summer of 1922 contains within it the story of another summer, five years before this one, when Gatsby and Daisy first courted. This is the story that Jordan tells Nick. As that earlier summer ended with Gatsby's departure for the war in the fall, so the summer of Nick's experience of the East ends with the crisis on the last hot day (the day of mint juleps in the hotel and Myrtle Wilson's death) and is followed by Gatsby's murder by George Wilson on the first day of fall. This seasonal calendar is more than just a parallel, however. It is a metaphor for the blooming and blasting of love and of hope, like the flowers so often mentioned. Similarly, the novel's elaborate use of light and dark imagery (light, darkness, sunshine, and shadow, and the in-between changes of twilight) symbolizes emotional states as well.紅字The Scarlet Letter attained an immediate and lasting success because it addressed spiritual and moral issues from a uniquely American standpoint. In 1850, adultery was an extremely risqué subject, but because Hawthorne had the support of the New England literary establishment, it passed easily into the realm of appropriate reading. It has been said that this work represents the height of Hawthorne's literary genius; dense with terse descriptions. It remains relevant for its philosophical and psychological depth, and continues to be read as a classic tale on a universal theme.[6] Another consideration to note having to do with the book's popularity is that it was one of the first mass-produced books in America. Into the mid-nineteenth century, bookbinders of home-grown literature typically hand-made their books and sold them in small quantities. The first mechanized printing of The Scarlet Letter, 2,500 volumes, sold out immediately, was widely read and discussed to an extent not much experienced in the young country up until that time. Copies of the first edition are often sought by collectors as rare books, and may fetch up to around $6,000 USD.遠(yuǎn)離塵囂Much of the plot of Far from the Madding Crowd depends on unrequited love — love by one person for another that is not mutual in that the other person does not feel love in return. The novel is driven, from the first few chapters, by Gabriel Oak's love for Bathsheba. Once he has lost his farm, he is free to wander anywhere in search of work, but he heads to Weatherbury because it is in the direction that Bathsheba has gone. This move leads to Oak's employment at Bathsheba's farm, where he patiently consoles her in her troubles and supports her in tending the farm, with no sign he will ever have his love returned.This novel focuses on the way that catastrophe can occur at any time, threatening to change lives. The most obvious example occurs when Oak's flock of sheep is destroyed by an unlikely confluence of circumstances, including an inexperienced sheep dog, a rotted rail, and a chalk pit that happens to have been dug adjacent to his land. In one night, Oak's future as an independent farmer is destroyed, and he ends up begging just to secure the diminished position of a shepherd.This novel offers modern readers a clear picture of how important social position was in England in the nineteenth century and of the opportunities that existed to change class, in either direction. In the beginning, Oak and Bathsheba are social equals: he is an independent farmer who rents his land, and she lives on her aunt's farm next door to his, which is presumably similar in value. The only thing that keeps her from accepting his proposal of marriage is the fact that she just does not want to be married yet. After Oak loses his farm and Bathsheba inherits her uncle's farm, there is little question of whether they can marry — their social positions are too different. She is more socially compatible with Boldwood, who owns the farm next to hers and is in a similar social position.
名著中英文讀后感對照
Sense and Sensibility was the first novel Jane Austen published. Though she initially called it Elinor and Marianne, Austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme： the necessity of finding a workable middle ground between passion and reason. The story revolves around the Dashwood sisters, Elinor and Marianne. Whereas the former is a sensible, rational creature, her younger sister is wildly romantic——a characteristic that offers Austen plenty of scope for both satire and compassion. Commenting on Edward Ferraris, a potential suitor for Elinor's hand, Marianne admits that while she loves him tenderly, she finds him disappointing as a possible lover for her sister. Soon however, Marianne meets a man who measures up to her ideal： Mr. Willoughby, a new neighbor. So swept away by passion is Marianne that her behavior begins to border on the scandalous. Then Willoughby abandons her； Meanwhile, Elinor's growing affection for Edward suffers a check when he admits he is secretly engaged to a childhood sweetheart. How each of the sisters reacts to their romantic misfortunes, and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel. Though Marianne's disregard for social conventions and willingness to consider the world well-lost for love may appeal to modern readers, it is Elinor whom Austen herself most evidently admired； a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure. 理智與情感是簡奧斯汀出版的第一本小說。
雖然她最初稱之為埃利諾哈馬和瑪麗安，但奧斯汀放棄了最初的書面標(biāo)題和書信方式，但保持了基本主題：在激情與理性之間必須找到一種可行的中間地帶。
故事圍繞Dashwood姐妹，埃利諾和瑪麗安，前者是明智的，理性的人，她的妹妹是瘋狂浪漫的——這個人物，它給了奧斯汀大量的機(jī)會來進(jìn)行諷刺和同情。
評論愛德華法拉利，一個潛在的埃利諾的追求者，瑪麗安坦承，雖然她“愛他的溫柔， ”她認(rèn)為他令人失望的是他可能的愛人是她的妹妹。
然而不久，一名男子符合瑪麗安的理想標(biāo)準(zhǔn)：威洛比，一個新的鄰居。
所以激動地沖到瑪麗安對她說，她的行為開始跨越邊界的丑聞。
然而威洛比放棄了她;與此同時，埃利諾對愛德華日益增長的感情經(jīng)受了考驗(yàn)，他承認(rèn)他秘密與童年的心上人定終身了。
兩個姐妹反應(yīng)他們的浪漫的不幸，并吸取經(jīng)驗(yàn)教訓(xùn)，她們終于在未來皆大歡喜的核心形式的小說。
雖然瑪麗安無視社會公約，想要讓現(xiàn)代讀者知道世界上的失去愛情也可發(fā)生在他們身上，埃利諾明顯是奧斯丁本人最欽佩的;一個真正幸福的婚姻，她告訴我們，只有理性與感性滿足并以適當(dāng)?shù)姆绞交旌蠒r才存在。
世界名著《飄》的讀后感。
讀《飄》遐思----》讀后感 我不得認(rèn)，自己讀的書確實(shí)，尤其是名著、世界名著。
校時，匆匆地讀《茶花女》、《紅與黑》等，也許是由于文學(xué)素養(yǎng)的淺薄，或是世界觀的差異，它們并沒有帶給我多大的震撼。
暑假時，友人推薦我讀一下《飄》，當(dāng)時還記得她很神秘，開玩笑地說了聲：“讀完了，你會改變你的擇偶觀呦
” 花了一個月的時間看完了它，很慚愧自己像老牛走路似的看書速度，卻也不敢恭維自己看得有多精。
讀完后，心里有股淡淡的惆悵感覺，朦朧中，總覺得自己身上依稀有思嘉的身影。
讀完《飄》，它確實(shí)給了我很大的震撼，更喚起我對過去的懊悔。
同時，對書中的描述的人生、友情、愛情，我也感觸頗多。
關(guān)于人生的善與惡，我不敢妄加評論，因?yàn)?，畢竟我走的人生路還不及三分之一。
十六歲的我，想法也許是很幼稚的。
《飄》中女主人公思嘉·奧哈拉并不是傳統(tǒng)觀念的好女人，她有著迷人的外貌、聰慧的頭腦、堅(jiān)強(qiáng)的內(nèi)心、果敢的行為。
同時，她也驕傲、貪婪、虛榮、追求實(shí)際，甚至曾經(jīng)有過為了達(dá)到目的而不擇手段，她渴望愛情，不顧一切世俗觀念，勇敢地追求自己的愛。
但當(dāng)感情和現(xiàn)實(shí)利益相沖突時，她毅然將經(jīng)濟(jì)需求放在首位。
如果說我佩服思嘉，那我更衷情于瑞德，因?yàn)槲乙餐瑯拥某绺咦杂?，他的豪放不羈，他的現(xiàn)實(shí)，他的勇敢，都傳神地說明了他在亂世社會中成長的一個人才，是在亂世生存與發(fā)展的強(qiáng)者，強(qiáng)者應(yīng)適應(yīng)任何一個社會，這也成了一個亙古不變的道理。
在經(jīng)濟(jì)社會中對精神的取舍，在面對新生事物時，是適應(yīng)還是回避
思索過后，相信我們會有更多的啟發(fā)
談到友情，雖然在《飄》中，作者并沒有極力去描寫友情，但媚蘭對朋友的這份友情仍然是讓我羨慕不已。
記得桑費(fèi)有句話：“朋友有三種：愛你的朋友、恨你的朋友、忘記你的朋友。
”我想媚蘭就是那種愛思嘉的朋友。
她對思嘉感恩、感激，甚至為了她可以去死，她的真心在臨死前終于讓思嘉明白她是她唯一的真正朋友。
在人的一生當(dāng)中，誰能沒有朋友
有幾個真正的朋友便成了人一生最珍貴的東西。
對待朋友，最好也是最真的辦法--那就是真心
讀完了整本書，我也摘出了最喜愛的兩句話： “美貌并不能使人高尚，衣著也不能使人尊貴。
”--警告貪慕虛榮的人。
“我向來不是那樣的人，不能耐心地拾起一些碎片，把他們黏合在一起，然后對自己說這個修補(bǔ)好了的東西跟新的一模一樣，一樣?xùn)|西破碎了就是破碎了一一我寧愿記住它最好時的模樣，而不想把它修補(bǔ)好，然后終生看著那些碎了的地方”。
一遍匆匆的略讀，并不能體味多少真諦，也許，等我再讀幾遍時，會有更多的收獲吧。
誰能寫出兩篇讀后感
一定要世界名著的 兩篇。
急需。
。
。
。
600字左右就好。
。
。
太多不要
高老頭：其實(shí)這本書真正的主人公是一個叫拉斯蒂沃的年輕人。
拉斯蒂沃是一個貧窮的大學(xué)生，一心想出人頭地。
租住在一個有很多人合租的公寓里面。
結(jié)識了同住在一起的高老頭，高老頭原本很有錢，那時人們都叫他高里奧先生，后來高里奧先生落魄了，人們就叫他高老頭了。
那么，是什么原因?qū)е碌倪@一切呢
拉斯蒂沃在上流社會的宴會上結(jié)識了兩位夫人，一位是某貴族的夫人，一位是銀行家的夫人，兩個人是姐妹。
隨后拉斯蒂沃吃驚地發(fā)現(xiàn)原來高老頭就是這兩位夫人的親生父親。
正是因?yàn)楦呃项^對自己女兒的百般溺愛，她們出嫁時他給了她們兩個各80萬法郎的陪嫁。
隨后這兩個女人又以各種方式不斷地向父親要錢，最終榨干了自己的父親。
拉斯蒂沃看到高老頭的窘迫和慘況，還幻想著這兩個女人回前來幫高老頭一把。
可是現(xiàn)實(shí)中給了他冰冷的一擊。
高老頭在孤獨(dú)中死去后，拉斯蒂沃去向這兩個女人討一副棺材都討不到。
甚至小女兒在得知父親的死訊后，原本掉了幾滴眼淚，可一想到自己還要去參加舞會，怕弄花了妝就不哭了（太讓人心寒了）。
拉斯蒂沃終于看透了這個金錢社會，為了不落到高老頭一樣的悲慘結(jié)局，最后決定不擇一切手段要往上爬……書中最精彩的一段當(dāng)屬伏脫冷的故事。
伏脫冷是一個逃犯，某幫會的老大，他看拉斯蒂沃天資不錯，想讓拉斯蒂沃做他的繼承人，不過拉斯蒂沃拒絕了。
隨后他也被捕了。
那段他勸說拉斯蒂沃的話非常實(shí)在，可以說是對高老頭境遇的一個極好的注解。
紅字：作者：（美）霍桑。
類型：道德批判。
故事一開始是一間牢房。
一位面容美麗的少婦，懷抱著一個女嬰，走出了牢房。
少婦名叫海絲特，在她的丈夫外出的時候。
她和別人有了私情，因而被關(guān)了起來。
她懷中的嬰兒，就是她和奸夫所生的私生女。
出獄后的海絲特受盡世人唾罵，她始終不肯供出奸夫是誰。
她的丈夫也一直沒有出現(xiàn)。
她過著貧困的日子，靠給人縫補(bǔ)衣服掙一些錢貼補(bǔ)，女嬰漸漸長大，取名叫珠兒。
一晃珠兒七歲了，因?yàn)閺男∵^著與世隔絕的生活，所以對宗教懷著一種淡漠的態(tài)度，這令當(dāng)?shù)氐纳窀复鬄椴粷M。
珠兒也沒有伙伴，只有一位牧師常來幫助她們，不過這位牧師在心中對珠兒懷著一種恐懼，怕人們在珠兒那張清秀的面孔上看出他的影子來（原來他就是……）。
海絲特的丈夫隱姓埋名回到了這里。
他發(fā)誓要報(bào)復(fù)，并很快查清了事情的真相。
并不斷對牧師進(jìn)行精神上的折磨。
最終，牧師戰(zhàn)勝了自己的懦弱，承認(rèn)了自己所犯的罪過，明明是兩個人的錯誤，不應(yīng)該讓海絲特一個人來承擔(dān)。
牧師死在了自己最愛的人的懷里。
完成了報(bào)復(fù)的海絲特的丈夫也很快失去了生活的目標(biāo)，不久就故去了。
人們對海絲特的態(tài)度也漸漸地友善了，人們說，海絲特背后的紅色A字代表的不是通奸，而是Angel的意思。
海絲特的丈夫很有錢，他沒有將遺產(chǎn)留給海絲特。
而是將所有的錢留給了珠兒（讓人欣慰?。?。
珠兒變成了那個地方最有錢的人，后來珠兒離開了那個地方，過得平安幸福。
而海絲特一生都留在那里，因?yàn)槟抢镉兴膼u辱。
并且一直戴著那個紅字，默默地做著善事。
終身未再嫁。
求一篇500字英語名著讀后感，，，用英語寫的哦
湯姆歷險(xiǎn)記I believe that one of the factors that makes a piece of literature or even a movie a masterpiece is how well the reader can relate to the story. This is definitely a book everyone can relate to. The Adventures of Tom Sawyer is a literary masterpieces, written in 1876 by the famous author Mark Twain. Tom Sawyer is a mischievous young boy who lives in the small town on the Mississippi River called St. Petersburg. The story line is simple, the book reads like a biography or a memoir of a summer in Tom Sawyer's life. Tom Sawyer seems to be the precursor of and the template for misfit kids such as Dennis the Menace, Malcolm in the Middle, and Calvin and Hobbs. What makes this story great is that Tom Sawyer represents everything that is great about childhood. The book is filled with Tom's adventures playing pirates and war with his friend Joe Harper. Tom has a trusted friend, Huck Finn, who few of the adults approve of. The book is filled with ideas of how the world works, such as how pirates and robbers work, that are so innocent, they could only come from a child. It is a story filled with action, adventure, ingenious ideas, love, and schoolyard politics. The whole story is seemingly a complication of what people did or wish they did during their childhood. The book is a little difficult to read at first. Personally, it takes me a little while to get used to the 19th century dialect in the book. Other than referring to persons of African decent in derogatory terms (which I'm sure uses terms even young children already know), the book would be an enjoyable read for people of all ages. I highly recommend this book for anyone looking to feel young again, if just for a few hundred pages.伊索寓言 Aesop's Fables, Du Hougan If the world is a Marine, then I this is a small fish in the ocean, despite the sea in my book free to travel. One day, I found a bright Linlang Shanzhao as shiny pearl, this pearl is Aesop's Fables. I上上下下Daliang End The pearl, also found that these pearls of a major feature - on the one moving story, the story of Huanbaohanzhe all kinds of profound truth. I found a The monkeys lying, the story is this: a love of monkeys lying to Athens on board, the boat was on the storm's attack, turned the boat. Dolphins are very much like a human conversation, access to knowledge. Dolphins to Monkeys as human care on the surface of the water, and chat with monkeys, monkeys and in conversations with the lying, exposed the dolphins were indignant after the dolphins, monkeys put up sea, drowned. This is fable to tell us that life, must not lie , Lying and who will therefore be retribution! Therefore, we have to do an honest person, so that we can into it, the lives of the masses, so that would not be despised by the people of the world! As the saying goes well: Honesty is the golden key to the door of knowledge. So, honestly treat people, equivalent to respect other people! Aesop's Fables is a world known as the King of a novel, moving it to one interesting story, describing the text included in a number of knowledge and truth, I see a return to taste, Aha ! Not blowing, this book and China's four famous are evenly matched, can really Niua! I still remember the author of the book Aesop said such a sentence: the United States over the wisdom of the body of the United States. Yes Ah, some people devoted to the appearance of the axis origin, the United States is now the one, the ugly one is negative, they absolutely do not know is that the U.S. is the real heart of the United States. I think that, like Aesop's Fables symbolic of this knowledge, better than the aesthetic, you say which ? Now, I have long to The pearl Treasures in mind, the impression that it is always reverberated in my mind! I love you - Aesop's Fables! 《伊索寓言》讀后感 若書的世界是一片海洋，那我便是這片海洋中的一條小魚，任憑我在書海中自由自在地遨游。
有一天，我發(fā)現(xiàn)了一顆閃著璀璨琳瑯般光澤的珍珠，這顆珍珠便是《伊索寓言》
我上上下下“打量”完這顆“珍珠”時，又發(fā)現(xiàn)了這“珍珠的一大特點(diǎn)——講述著一個個動人的故事，故事中還包含著種種深刻的道理。
我找到了一篇《說謊的猴子》，故事是這樣的：一個愛說謊的猴子上船去雅典，可船在路上遭到了暴風(fēng)雨的襲擊，翻了船。
有一條海豚十分喜歡與人類交談，從而獲取知識。
海豚把猴子當(dāng)作人類托上水面，并與猴子交談，交談中猴子又在說謊，被海豚揭穿后海豚憤憤不平，便把猴子弄下海，淹死了。
這則寓言要告訴我們，做人，千萬不能說謊，說謊的人也會因此而受到報(bào)應(yīng)
所以我們要做一個誠實(shí)的人，這樣，才能使其融入到大家、群眾的生活中去；這樣，才不會被世人鄙視
俗話說得好：“誠實(shí)是通往知識大門的金鑰匙。
”所以，誠實(shí)待人，等于尊重別人
《伊索寓言》是一本世人稱之為“書王”的一本名著，它以其中動人有趣的故事，述說了包含在文內(nèi)的一些知識與道理，我親身品味了一回，啊哈
不是吹的，這本書與我國的四大名著勢均力敵，可真牛啊
我還記得本書的作者“伊索”說過這么一句話：“智慧的美勝過形體的美。
”不錯啊，有些人專門以外表為數(shù)軸上的原點(diǎn)，美的是正的一列，丑的是負(fù)的一列，可他們?nèi)f萬不知道的是內(nèi)心的美才是真正的美。
我認(rèn)為，像《伊索寓言》這種知識象征性書，勝過于美學(xué)，您說哪
如今，我早已把這顆“珍珠”珍藏在心，可它的印象，卻時時在我的腦中回蕩
我愛你——《伊索寓言》 Tess of the D'urbevilles 長篇小說《德伯家的苔絲》是英國著名小說家和詩人托馬斯·哈代（1840－1928）的代表作 yesterday, I read the novel called Tess of the D'urbevilles. written by a famous Englishwriter Thomas Hardy. The novel tells a story about a pretty and good girl called Tess, who lived in a village in Marlott. To her sadness, when she was seventeen, she was no longer a pure and untouched girl. She gave birth to a baby, which didn't live long. So Tess changed from a pure gir l to a grown —up. Because she was the eldest of the 7 children in the family, she found a job to support the whole family in a dairy.There she knew Angel and married him. But unluckily. when Angel knew her sad story, he left her and went to Brazil.Tess led a hard an d lonely life after that. Later when she knew Angel had retumed home and found out that she was living with the man who had given the damage to her before,Tess couldn't accept the fact and killed the man who was living with her. Then she escaped and spent together with Angel three days and nights. The police found them on the moming of the fourth day. A few days later, Tess was executed. Having read this novel, I like the heroine very much because of her purity, warmness, nobility and the spirit of devotion, She dared to fight against the evil, bravely seek and sturggle for the rights of love. Thomas Hardy was famous for the poetical novels. Tess of the D'urbevillesis one of this kind. The novel is so fresh that it is nearly like a poem. For nearly a century, it has been popular with the people all over the world. 哈姆雷特讀后感 shakspere (wrong spelling) created hamlet--a man with wisdom and courage .in order to revenge on his uncle for killing his father, he pretented (spelling mistake) to be mad and suffered a series of misery. on the contrary, we can also say that hamlet is rude and selfish for he did not think twice before his revenge . if (capitalize if since it is the beginning word of the sentence.) a country has no king, how can a country keep alive (you need a question mark here since it is a question.) so, every thing has two sides, the bright side and adumbral side. every time we make a decision we have to think twice. comment: be careful with your spelling, grammar, and punctuation. too many uncessary mistakes. it is good that you looked at both the dark and bright sides of hamlet. thats quite objective and convincing.
英語名著讀后感
英著讀書筆記 英語讀書筆記一 《TheAdventuresofTomSawyer》湯姆索亞歷感： TheAdventuresofTomSawyerisAmericanfamousliterarygiantMarkTwaintakehisyouthasthemainsubjecttowrote. TomSawyerandhisbestfriend,HuckFinn,tellstories,fish,andpretendtobepiratesalongthebanksoftheMississippiRiver.Thentheybecomereal-lifewitnessestoaterriblecrime!WhetherTomisrunningawayfromvillains,treasurehunting,orshowingoffforBeckyThatcher,itsonethrillingescapadeafteranother.StoryleadingTomsnaivecharacter,islivelyandthealsomischievousmodelUSyouths.Heandtheurchinsummergram, respectivelymadethewonderfulmatterwhichoneburstoutlaughing.IspunishedlikeTomwhitewashesthefence,unexpectedlyexecutestheclevertrick,notonlycausesotherchildtobewillingtoreplacehimtowork,butalsoautomaticallyoffersthethank-yougift.AfterwardswentwithXiaKetaotothedesertisland,thepeoplethoughttheyweredrowntodeath,thechurchhavebeenholdingthemourningritualforthem,buttheyactuallyhidinthechurchbelltowerlistensecretly.Thesemischievousactions,althoughc
求一篇名著的英文讀后感 最好原創(chuàng)，最近寫的，不要網(wǎng)上一搜就能搜到的，字?jǐn)?shù)不用太多150左右就可以了。
急
《契訶夫短篇小說選》是‘語文新課程標(biāo)準(zhǔn)必讀’系列書中之一，書中精選了俄國最偉大的短篇小說巨匠契訶夫的《套中人》《小公務(wù)員之死》《變色龍》《萬卡》《掛在脖子上的安娜》等17代表作。
與其他的書不一樣的地方，這本書多了‘書海導(dǎo)航’‘導(dǎo)讀’‘賞析’‘思考’，導(dǎo)讀有利于我們理解書中內(nèi)容，賞析讓我們學(xué)習(xí)大作家的筆法，思考使我們提高閱讀分析能力。
為學(xué)習(xí)大師的筆法，我用記敘文的六大要素：時間、地點(diǎn)、人物、開端、發(fā)展、高潮，對照了書中的篇章，我發(fā)現(xiàn)每篇的開頭都不相同，有寫景特的，的開門見山的，有寫人物的，有寫感想的……我最真敬佩作者的人物描寫，他善于用一個個細(xì)節(jié)，一句句的對話把人物刻劃出來后，最后讓人深思。
但我對《契訶夫短篇小說選》有這么一個感覺，好象不適于小學(xué)生去閱讀，書中主人翁很少是小孩，書中的內(nèi)容大多是丑惡、無聊、拍馬、虛榮等反面的故事，很少有理想、愛心、勵志、互助等等正面教育。
也許是看了很多的有正面教育的童書的緣果吧
我總覺這本書不是童書，過早地給天真單純的學(xué)生烙下了社會中陰暗的烙印好像不太適合吧
不過書中的‘渴睡’和‘萬卡’還是給我留下了很深印象，我喜歡讀它們，因?yàn)槠渲鹘侨f卡和瓦麗卡都是小孩，而且他們都是孤兒，跟我一樣沒有父母在身邊。
讀了萬卡做學(xué)徒時寫給爺爺?shù)哪欠庑胖械脑挘骸坝H愛的爺爺，你帶我回家吧
等我長大了，我會報(bào)答您，好好地養(yǎng)活您
”我感動地流下了淚，這不是當(dāng)奶奶重病時我要離開爺爺家全托時，我想說的話嗎
當(dāng)我看到瓦麗卡在搖搖籃時做夢時，被主人狠狠打了后腦，擰了耳朵；當(dāng)我看到瓦麗卡要生爐子、燒茶炊、刷雨鞋、洗臺階、收拾房間、生爐火、買東西，一刻也不停地干活時；當(dāng)我看她多么想鉆到雨鞋中躺一下，削土豆時刀子也掉下來時；當(dāng)我看到天黑了，主人命令她：“瓦麗卡，搖娃娃”時，我流淚了，瓦麗卡啊
你多可憐啊
連睡覺的自由也被剝奪了。
以前我總覺得世界不公平，同學(xué)們都有父母在身邊，唯我留守在爺爺家中，對照瓦麗卡，我一天要睡10個小時，真是身在福中不知福啊
世界名著《變形計(jì)》的內(nèi)容梗概以及讀后感
《變形記》（德語Die Verwandlung，英語The Metamorphoses）卡夫卡短篇代表作，是卡氏藝術(shù)上的最高成就，被認(rèn)為是20世紀(jì)最偉大的小說作品之一。
創(chuàng)作于1912年，發(fā)表于1915年。
格里高爾變甲蟲后的心理變化大致是這樣的：a 格里高爾突然發(fā)現(xiàn)自己變成大甲蟲
他驚慌、憂郁。
他回憶過去的生活，怨恨自己的“累人的差使”，為還清父債而苦干。
他清醒地想到起床，趕車上班去。
父親發(fā)現(xiàn)他變成大甲蟲，露出一副惡狠狠的樣子，趕他回臥室。
他謙恭地懇求，盡快回屋，免得父親生氣。
他忍辱負(fù)重，還不忘順從父親。
b 為家庭經(jīng)濟(jì)狀況焦慮，自我責(zé)備。
格里高爾失業(yè)在家，過著甲蟲生活，只能爬來爬去。
但是，他為家庭經(jīng)濟(jì)狀況焦慮，還想著給妹妹實(shí)現(xiàn)“美夢”。
他想著，父親老了，母親生病，妹妹還只有17歲。
他一聽到家人出去做工掙錢，就“羞赧和傷心得渾身燥熱”。
他“受到了自責(zé)和憂愁的壓抑”，“最后在絕望中，他覺得整個房間已經(jīng)開始繞著他旋轉(zhuǎn)起來，便掉下來摔在那張大桌子的中央”。
c 受重傷后，被親人厭棄而絕望，心態(tài)走向平和。
一只蘋果砸在背上，身受重傷，格里高爾終于被妹妹厭棄。
妹妹一再說“我們必須設(shè)法擺脫它”。
格里高爾“懷著深情和愛意回憶他的一家人。
他認(rèn)為自己必須離開這里，他的這個意見也許比他妹妹的意見還堅(jiān)決呢”。
格里高爾異常冷靜，他在絕望而又平和的心境中死去。
面對變形，面對親人厭棄，面對死亡，格里高爾驚慌、痛苦、絕望，最終平靜地死去。
從這一點(diǎn)看，他還是一個清醒、堅(jiān)強(qiáng)的人。
格里高爾的人格形象集中表現(xiàn)在兩個方面，一是掙錢養(yǎng)家，顯示他忠厚、善良而富有責(zé)任感的個性，一是爭取自由，還清父債而追求時來運(yùn)轉(zhuǎn)，自由獨(dú)立，最終在無奈與平和中追求另外一種超脫——死亡。
格里高爾同家人應(yīng)該互相熱愛，互相幫助。
可是，親人們認(rèn)為格里高爾不能再養(yǎng)家，把他看做累贅，最終拋棄了他。
格里高爾死去，親人們也不悲痛，反而去郊游。
在資本主義社會，在機(jī)器生產(chǎn)和生存競爭的高壓下，人被異化為非人，人的本性失落，甚至走向反面，人接受不了現(xiàn)實(shí)世界，現(xiàn)實(shí)世界容納不了人。
格里高爾變成甲蟲，這也是一種象征，象征人的異化，人性異化，人際關(guān)系異化。
在金錢和私利面前，小說表現(xiàn)了兩種異化：格里高爾的異化，人變成甲蟲，本性也變了，從掙錢還清父債、爭取獨(dú)立自由變?yōu)榘灿诩紫x生活的自輕自賤；以妹妹為代表的親人異化，親情變成仇情，善良變成冷酷。
小說正是通過表現(xiàn)人的異化來反映資本主義制度摧殘人性的社會本質(zhì)。
荒誕、變形和寫實(shí)的藝術(shù)手法小說描述了一個真實(shí)而荒誕的世界。
“真實(shí)”是因?yàn)樽髡哂每陀^冷靜的寫實(shí)手法，描寫了主人公變形前具體的生活細(xì)節(jié)和變形后逼真的心理狀態(tài)，使人感到他所處的始終是一個真實(shí)的人的世界；“荒誕”是因?yàn)楣适碌恼w框架是以象征手法構(gòu)建起來的，這個故事框架——人變成蟲的邏輯結(jié)構(gòu)本身是非真實(shí)的，它只是用來寄寓人在哲理意義上的生存狀態(tài)，而不是對外部生活的真實(shí)模仿。
作者不是讓人們?nèi)ソ邮苋俗兂上x這一客觀存在的事實(shí)，而是去體察和領(lǐng)悟其超現(xiàn)實(shí)的精神狀態(tài)和深層心理 —情感，去尋求荒誕中的本質(zhì)。
因此，人變成甲蟲是人類精神世界遭致扭曲、異化的象征，是人與人之間的隔膜狀態(tài)及其由隔膜所造成的孤獨(dú)、絕望情感的折射。
格里高爾一夜間由人變成大甲蟲，情節(jié)是荒誕的。
情節(jié)發(fā)展，他與家人的沖突，更是荒誕的。
甚至有的藝術(shù)細(xì)節(jié)也是荒誕的：一只蘋果打在格里高爾的甲背上，陷了進(jìn)去，一個多月，還爛在甲蟲背上。
在日常生活中，一家人平平淡淡，溫情脈脈，矛盾、人性都顯示不出來。
養(yǎng)家人格里高爾突然變成甲蟲，失業(yè)了，還成了累贅。
這個情節(jié)把矛盾激化了，沖突起來，個性、人性都立即顯示出來。
文學(xué)藝術(shù)是虛構(gòu)的藝術(shù)，作家大膽想像，虛構(gòu)出荒誕的情節(jié)，推動人物之間的沖突，表現(xiàn)人物的個性。
母親的無奈，父親的狂怒，妹妹的厭棄，撕破了資本主義社會家庭表面溫情脈脈的面紗，顯示了人際關(guān)系的自私、冷漠和殘酷，揭示了資本主義社會“人人為自己，上帝為大家”和弱肉強(qiáng)食、唯利是圖的社會本質(zhì)。
荒誕、變形的情節(jié)為什么在讀者的體驗(yàn)、聯(lián)想中覺得真實(shí)可信呢?這是因?yàn)樽髡咴谡w荒誕的情節(jié)中運(yùn)用了細(xì)節(jié)真實(shí)和心理真實(shí)的手法。
寫甲蟲的行動，是符合甲蟲的習(xí)性的；寫甲蟲的思想感情，是符合格里高爾這個人的言行邏輯的；寫親人的變化，也是符合社會生活的。
這種荒誕、變形的藝術(shù)構(gòu)思和寫實(shí)的敘述方法的結(jié)合，具有強(qiáng)烈的象征意味，使作品荒誕得令人震驚和信服。
另外，《變形記》還有自身獨(dú)特的敘述語調(diào)。
在作品中，卡夫卡的敘述語調(diào)平靜得近乎冷漠。
人變成甲蟲，本來是一個凄慘而又令人觸目驚心的故事，但作者以不動聲色、不動感情、不加議論的平靜筆調(diào)寫出，給人一種似乎司空見慣、習(xí)以為常的感覺，這不禁更加令人警醒：當(dāng)可怕變得平庸時，平庸就成為了更加可怕的事實(shí)。
由此激發(fā)讀者去思索人的生存現(xiàn)狀以及改變這現(xiàn)狀的問題。
解析“異化”第一層含義是格里高爾由人到蟲的“變形”，即生理“變形”。
它象征性地說明了社會環(huán)境對人構(gòu)成的積壓以及人承受不了超量的社會重負(fù)而走向人的反面。
第二層含義是由格里高爾的身體“變形”而產(chǎn)生的家庭經(jīng)濟(jì)狀況和生活狀態(tài)的“變形”，即經(jīng)濟(jì)“變形”。
第三層含義是由格里高爾生理“變形”和薩姆莎家經(jīng)濟(jì)“變形”所引起的格里高爾家人的心理“變形”。
它集中反映了西方社會環(huán)境的濁化、人際關(guān)系的惡化以及親情關(guān)系的異化。
如果說第一層關(guān)系是因的話，那么第二層含義是果；若第一、二層含義是因的話，那么第三層含義是果。
這三層含義依次延伸、發(fā)展，構(gòu)成“變形”含義的豐富性和多層次性。
情節(jié)和主題《變形記》創(chuàng)作于1912年，發(fā)表于1915年。
小說分成三部分，用一、二、三標(biāo)明。
課文節(jié)選了原小說的一半內(nèi)容。
第一部分，寫格里高爾發(fā)現(xiàn)自己變成“巨大的甲蟲”，驚慌而又憂郁。
父親發(fā)現(xiàn)后大怒，把他趕回自己的臥室。
第二部分，格里高爾變了，養(yǎng)成了甲蟲的生活習(xí)性，卻保留了人的意識。
他失業(yè)了，仍舊關(guān)心怎樣還清父親欠的債務(wù)，送妹妹上音樂學(xué)院。
可是，一個月后，他成了全家的累贅。
父親、母親、妹妹對他改變了態(tài)度。
第三部分，為了生存，家人只得打工掙錢，忍受不了格里高爾這個負(fù)擔(dān)。
妹妹終于提出把哥哥弄走。
格里高爾又餓又病，陷入絕望，“他懷著深情和愛意想他的一家人”，“然后他的頭就不由自主地垂倒在地板上，鼻孔呼出了最后一絲氣息”，死了。
父親、母親和妹妹開始過著自己養(yǎng)活自己的新生活。
情節(jié)的發(fā)展由兩條線索交互展開：格里高爾：變成甲蟲——成為累贅——絕望而死家里親人：驚慌、同情——逐漸憎恨——“把他弄走”格里高爾自始至終關(guān)心家庭、懷戀親人，可是親人最終拋棄了他，對他的死無動于衷，而且決定去郊游。
作者描寫這種人情反差，揭示了當(dāng)時社會生活對人的異化，致使親情淡薄，人性扭曲。
《變形記》的主題具有強(qiáng)烈的批判性。
卡夫卡創(chuàng)作的文學(xué)作品的主題，不同的讀者從不同的角度，會有不同的體驗(yàn)和理解。
有人認(rèn)為《變形記》的主題是：表現(xiàn)人對自己命運(yùn)的無能為力，人失去自我就處于絕境。
也有人認(rèn)為，格里高爾變成甲蟲，無利于人，自行死亡；一家人重新工作，走向新生活；存在就是合理，生活規(guī)律是無情的。
