好詞：
法律 財(cái)產(chǎn) 賠償 公道
唯望 夸獎(jiǎng) 簽署 契約
報(bào)償 疑心 訓(xùn)誨 富貴
惻隱 豁免 告稟 庖代
延納 饒恕 心如鐵石
萬(wàn)惡不赦 遍稽群籍 雞犬不寧
有例可援 中流砥柱 折衷是非
公平正直 博學(xué)多才 愁眉苦臉
好句：
1、愛(ài)情的火在眼睛里點(diǎn)亮，凝視是愛(ài)情生活的滋養(yǎng)，它的搖籃便是它的墳堂，讓我們把愛(ài)的喪鐘鳴響。
2、在法律上，哪一件卑鄙邪惡的陳訴不可以用娓娓動(dòng)聽(tīng)的言詞掩飾它的罪狀？在宗教上，哪一樁罪大罪極的過(guò)失不可以引經(jīng)據(jù)典，文過(guò)飾非，證明它的確上合天心？
3、那永遠(yuǎn)不會(huì)錯(cuò)誤的判斷，也必須經(jīng)過(guò)七次的試煉。
4、人家又不是真心邀請(qǐng)我，他們不過(guò)拍拍我的馬屁而已。
5、年輕人是一頭不受拘束的野兔，會(huì)跳過(guò)老年人所設(shè)立的理智的藩籬。
6、閃光的不全是黃金。
7、富貴催人生白發(fā)，布衣蔬食易長(zhǎng)年。
8、不要因?yàn)槲业哪w色而憎厭我。
9、外觀往往和事物的本身完全不符，世人都容易為表面的裝飾所欺騙。
10、毀謗和評(píng)判，是兩件作用不同、性質(zhì)相反的事。
11、憂愁已經(jīng)使我變成了一個(gè)傻子，我簡(jiǎn)直有點(diǎn)自己不了解自己了。
12、只要我有相當(dāng)?shù)呢?cái)力，可以和他們中間無(wú)論哪一個(gè)人匹敵，那么我覺(jué)得我有充分的把握，一定會(huì)達(dá)到愿望的。
13、一只小小的蠟燭，它的光照耀得多么遠(yuǎn)！一件善事也正像這支蠟燭一樣，在這罪惡的世界上發(fā)出廣大的光輝。
14、我這小小的身體已經(jīng)厭倦了這個(gè)廣大的世界了。
15、這些傻氣的淚點(diǎn)，快要把我的男子氣概都淹沒(méi)啦。
16、勝利既已入你懷抱，你莫再往別處追尋。
17、理智可以制定法律來(lái)約束感情，可是熱情激動(dòng)起來(lái)，就會(huì)把冷酷的法令蔑棄不顧。
18、你們享盡一切快樂(lè)，也剝奪不了我的快樂(lè)。
19、不挾美人歸，壯士無(wú)顏色。
20、沒(méi)有比較，就顯不出長(zhǎng)處；()沒(méi)有欣賞的人，烏鴉的'歌聲也就和云雀一樣。要是夜鶯在白天雜在聒噪里歌唱，人家絕不以為它比鷦鷯唱得更美。多少事情因?yàn)榉甑接欣沫h(huán)境，才能達(dá)到盡善的境界，博得一聲恰當(dāng)?shù)馁澷p。
21、任何彰明昭著的罪惡，都可以在外表上裝出一副道貌岸然的樣子。
22、外觀往往和事物的本身完全不符，世人卻容易為表面的裝飾所欺騙。
23、世間的任何事物，追求時(shí)候的興致總要比享用時(shí)候的興致濃烈。一艘新下水的船只揚(yáng)帆出港的當(dāng)兒，多么象一個(gè)嬌養(yǎng)的少年，給那輕狂的風(fēng)兒愛(ài)撫摟抱！可是等到它回來(lái)的時(shí)候，船身已遭風(fēng)日的侵蝕，船帆也變成了百結(jié)的破袖，它又多么象一個(gè)落魄的浪子，給那輕狂的風(fēng)兒肆意欺凌！
24、有的人終身向幻影追逐，只好在幻影里尋求滿足。
1、愛(ài)情的火在眼睛里點(diǎn)亮，凝視是愛(ài)情生活的滋養(yǎng)，它的搖籃便是它的墳堂，讓我們把愛(ài)的喪鐘鳴響。
2、在法律上，哪一件卑鄙邪惡的陳訴不可以用娓娓動(dòng)聽(tīng)的言詞掩飾它的罪狀？在宗教上，哪一樁罪大罪極的過(guò)失不可以引經(jīng)據(jù)典，文過(guò)飾非，證明它的確上合天心？
3、那永遠(yuǎn)不會(huì)錯(cuò)誤的判斷，也必須經(jīng)過(guò)七次的.試煉。
4、人家又不是真心邀請(qǐng)我，他們不過(guò)拍拍我的馬屁而已。
5、年輕人是一頭不受拘束的野兔，會(huì)跳過(guò)老年人所設(shè)立的理智的藩籬。
6、閃光的不全是黃金。
7、富貴催人生白發(fā)，布衣蔬食易長(zhǎng)年。
8、不要因?yàn)槲业哪w色而憎厭我。
9、外觀往往和事物的本身完全不符，世人都容易為表面的裝飾所欺騙。
10、毀謗和評(píng)判，是兩件作用不同、性質(zhì)相反的事。
11、憂愁已經(jīng)使我變成了一個(gè)傻子，我簡(jiǎn)直有點(diǎn)自己不了解自己了。
12、只要我有相當(dāng)?shù)呢?cái)力，可以和他們中間無(wú)論哪一個(gè)人匹敵，那么我覺(jué)得我有充分的把握，一定會(huì)達(dá)到愿望的。
13、一只小小的蠟燭，它的光照耀得多么遠(yuǎn)！一件善事也正像這支蠟燭一樣，在這罪惡的世界上發(fā)出廣大的光輝。
14、我這小小的身體已經(jīng)厭倦了這個(gè)廣大的世界了。
15、這些傻氣的淚點(diǎn)，快要把我的男子氣概都淹沒(méi)啦。
16、勝利既已入你懷抱，你莫再往別處追尋。
17、理智可以制定法律來(lái)約束感情，可是熱情激動(dòng)起來(lái)，就會(huì)把冷酷的法令蔑棄不顧。
18、你們享盡一切快樂(lè)，也剝奪不了我的快樂(lè)。
19、不挾美人歸，壯士無(wú)顏色。
20、沒(méi)有比較，就顯不出長(zhǎng)處；(.)沒(méi)有欣賞的人，烏鴉的歌聲也就和云雀一樣。要是夜鶯在白天雜在聒噪里歌唱，人家絕不以為它比鷦鷯唱得更美。多少事情因?yàn)榉甑接欣沫h(huán)境，才能達(dá)到盡善的境界，博得一聲恰當(dāng)?shù)馁澷p。
21、任何彰明昭著的罪惡，都可以在外表上裝出一副道貌岸然的樣子。
22、外觀往往和事物的本身完全不符，世人卻容易為表面的裝飾所欺騙。
23、世間的任何事物，追求時(shí)候的興致總要比享用時(shí)候的興致濃烈。一艘新下水的船只揚(yáng)帆出港的當(dāng)兒，多么象一個(gè)嬌養(yǎng)的少年，給那輕狂的風(fēng)兒愛(ài)撫摟抱！可是等到它回來(lái)的時(shí)候，船身已遭風(fēng)日的侵蝕，船帆也變成了百結(jié)的破袖，它又多么象一個(gè)落魄的浪子，給那輕狂的風(fēng)兒肆意欺凌！
24、有的人終身向幻影追逐，只好在幻影里尋求滿足。
In fact, I don't think Sherlock is the winner of his life, but he may not be quick enough to be wise or not ruthless. At the end of the event, who is more ruthless than Sherlock does not want to cut meat, but is it not allowed to allow people to die? I'm Sherlock's words. OK, I'll go and cut it and see if I accidentally die, I'll lose my life again. When my knife was only a centimeter away from Antonio's heart, women would have compromised, and the repayment scheme was even more profitable for Sherlock, who had negotiated the initiative. But in fact, Sherlock first encouraged him, but he could not help it. He could only kneel on the ground and beg for forgiveness, so he lost. Just like two people tug of war, people who are discouraged at the crucial moment are injured more.
In a word, this story is not a simple "base friend, an intelligence wuner". It is more integrated into the background of the times and reacts to the religious and ethnic conflicts of the time. We often fall into the rut of "the author has a position": since it is not a simple story about wisdom and justice, is it that Savon is ordinary for the Jews? Maybe neither of them. I think it is more in a story, the real reflection of the social life system, history, culture and the existence of oppression, discrimination, praise of good, and also face their own evil, impartial, to convey that "people and things in society are good and evil intertwined rather than black and white." On the other hand, the setting of "Antonio and babanho is a base friend", which is implied by many ambiguous details, further confirms that "the character is grey", because in medieval Europe homosexuality is a serious crime that should be hanged. Under the system of value at that time, such a setting conveys that the protagonists, who appear to be at the height of moral integrity, are also criminals who are inferior in morality.
Let's talk about this one. I despise him from the bottom of my heart. Although his aristocracy did not keep his wealth, he had always relied on Antonio, even his wife's money, and then mortgaged his best friend to his enemy for marrying his wife, a man who wanted his life all the time, and made such a defeat with a grand reason, friendship, alas. Family friend, Antonio, you are still from Sherlock. Though he is dregs, he is sincere. He only wants your life and no wife. Then he took the money to marry the beautiful and rich Baocia with their money, but the tragedy was that Portia was still very smart, which helped him but also buried a time bomb for their relationship. Then Antonio had an accident, and he took his wife's money to save his friends, and finally he saved his friend by his wife. Completely empty handed white wolf, no way, who is handsome? He vowed to Portia that if the ring had left his finger, his life would not exist, and then he turned the ring out for Antonio's salvation, and again, did Savon imply that all the oath was unbelievable? I don't know if Baocia can live happily with a man like such a man, and don't know if she will live in an uneasiness every day, or she will ask Antonio to make a guarantee to make a vow. It's not happy.
Sherlock is not a positive character, but he dares to fight. As his classic Accusation: Jews, like Christians, eat the same food, breathe the same air, are cold in winter, hot in summer, stabed by swords and bleed, humiliation and resistance. Imagine if a Jew had hurt a Christian, the consequences were self-evident. Therefore, Sherlock will start the idea of revenge, but it is also reasonable. To be exact, I think this movie is more like a group of fellow bullies trying to bully a lonely old man. The daughter and the enemy eloped, the property was confiscated, the religious belief was also asked by Antonio to convert to Christianity, and the white - haired old man finally lost his previous game in the court. At the end of the film, when the door of the Judaism church was closed slowly, the gaunt figure was left wandering outside. At this moment, my heart sore suddenly. For the Westerners of the supremacy of faith, there is nothing more punishing than the stubborn Sherlock, and nothing is worse than that. Different Venice businessmen, different Sherlock. In the same plot, the same characters will experience different feelings after experiencing more experiences at different ages.
