雙城記英文版摘抄
1, this is the best of times, it was the worst of times; it was the age of wisdom, it was the age of foolishness; it was the season of light, it was the season of darkness; it was the spring of hope, it was the winter of despair; people before everything, we had nothing before us; people are on the way to heaven, we were all going to the gates of hell. -- Dickens's the book of Shuangcheng
2, it was the best of times, it was the worst of times; it was the age of wisdom, it was the age of foolishness; it was the epoch of belief, it was the epoch of incredlity; it was the season of light, it was the season of darkness; it is hoped that the winter is the spring we disappointed; all going to heaven, we were all going the other way -- in short, with the now very similar to that of some of its noisiest authorities insisted on superlatives to describe it. Say it is good, is the highest; say it is not good, is also the highest. -- Dickens's the book of Shuangcheng
3, this is the best of times, it was the worst of times; it was the age of wisdom, it was the age of foolishness; it was the epoch of belief, it was the epoch of incredlity; it was the season of light, it was the season of darkness; it was the spring of hope, it was the winter of despair; we the future has everything, we had nothing before us; we are going to heaven, we are straight to hell. When the saints are also, when the perpetrators are also. This is also a benighted world, and this is also the wisdom of the world. This is also a bright season, this is also bleak season. This is also a year, this year. This is the spring of the dolly, who read the. Man or everything, man or nothing. The US made its permanent fall dust float upon the clouds. -- Dickens's the book of Shuangcheng
"To, the, world, you, may, be, one, person, but, to, me, you, may,, be, the, world., Shuangcheng.""
5, this is the best of times, this is the worst of times. This is the year of wisdom, this is the year of ignorance. This is the period of faith, this is the period of doubt. This is the season of light, and this is the season of darkness. This is the spring of hope, it is the winter of despair. We have everything in our future, and we have nothing in the future. We're heading for heaven, and we're going to hell. - Charles Dickens, the book of Shuangcheng
6 resurrection in me, and life in me. Those who believe in me will die again, though they die, but those who live and believe in me will never die. -- Dickens's the book of Shuangcheng
7, what I have done now is far better than all that I have done; the rest I will get is sweeter than all that I know. Charles Dickens, the book of Shuangcheng
8, what I do today is much better and better than what I have done in the past; the rest I enjoy today is better than all that I know; better - - Charles, Dickens, the book of Shuangcheng
9, when the saints are also, when the perpetrators are also. This is also a benighted world, and this is also the wisdom of the world. This is also a bright season, this is also bleak season. This is also a year, this year. This is the spring of the dolly, who read the. Man or everything, man or nothing. The US made its permanent fall dust float upon the clouds. -- Dickens's the book of Shuangcheng
10, this is the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness; it was the epoch of belief, it was the epoch of incredlity; it was the season of light, it was the season of darkness; it was the spring of hope, it was the winter of despair; people had everything before us, we had nothing before us; we were all going direct to heaven; people are straight to hell. -- Dickens's the book of Shuangcheng
11, this is the worst of times, but it is also the best of times. -- Dickens's the book of Shuangcheng
12, it is the best of times, it was the worst of times; it was the age of wisdom, it was the age of foolishness; it was the epoch of belief, it was the epoch of incredlity; it was the season of light, it was the season of darkness; it was the spring of hope, it was the winter of despair; I have witnessed everything, we are blind to everything; we were all going direct to heaven, we were all going direct the other way -- hell. In short, it was very similar to the present, and some of the most noisy authorities insisted on the superlative of adjectives. For better or for worse, it is the superlative of the comparative. -- Dickens's the book of Shuangcheng
13, it was the best of times, it was the worst of times; it was the age of wisdom, it was the age of foolishness; it was the epoch of belief, it was the epoch of incredlity; it was the season of light, it was the season of darkness; it was the spring of hope, it was the winter of despair; we with all eyes, we had nothing before; we will be going to heaven, we will beat the hell. In short, it was very similar to the present, and some of the most noisy authorities insisted on the superlative of adjectives. Say it is good, is the highest; say it is not good, is also the highest. - Dickens, Shuangcheng book
14, what I have done is the best thing I ever did in my life. What I am about to achieve is the most peaceful and peaceful rest of my life. -- Dickens's the book of Shuangcheng
15 don't try so hard, the best things come when you least expect them to. Never frown, even when you are sad, because you never know who is falling in love with your smile. For the world
【擴(kuò)展閱讀】
雙城記
為了你，為了你所親愛的任何人，我愿意做任何事情。倘若我的生命中有值得犧牲的可能和機(jī)會(huì)，
我甘愿為你和你所愛的人們而犧牲。
就這樣被感動(dòng)了。它是一部波瀾壯闊的歷史，它是一個(gè)感人肺腑的故事，它更是一種純潔而高尚的愛。它就是狄更斯筆下的《雙城記》。全書充溢著撲朔迷離的色彩，作者以一連串引人入勝的故事為框架，以十八世紀(jì)法國大革命為背景。在黑暗的資本主義社會(huì)里，農(nóng)民階級和工人階級忍受著資產(chǎn)階級無情的剝削。正如作者所說：“昌盛而又衰微，篤誠而又多疑，光明而又黑暗，這是充滿陽光希望的黎明，又是陰暗失望的長夜，人們擁有一切，卻兩手空空?！倍魅斯鞯履帷た栴D、露西·曼內(nèi)特和查爾斯·達(dá)爾內(nèi)之間真摯的情感，成為這部名著亮麗的一筆。
在小說中，狄更斯成功地塑造了主要人物鮮明的個(gè)性。曼內(nèi)特是個(gè)深愛女兒的父親，在經(jīng)歷磨難后仍寬容地把女兒嫁給仇人的兒子；露西是溫柔善良的賢妻良母，為了讓丈夫能看自己一眼每天風(fēng)雨不改地到大墻對面站立兩小時(shí)；查爾斯是個(gè)正直、豁達(dá)的.貴族，與露西相愛，為了愛情甘愿放棄爵位與財(cái)產(chǎn)。
小說中還有一個(gè)人物，就是讓人有點(diǎn)憎惡的泰雷茲·德伐日。失去親人使她活著的唯一意義就是革命勝
以想象的，然而為了發(fā)泄積憤卻拿侯爵兄弟的兒子及其家人抵罪，她走上了一條與那些偽貴族同樣殘忍的
道路，于是她的種種行為使她一步步失去了讀者的諒解。最后，惡人有惡報(bào)，她戲劇性地因?yàn)槭謖走火而
結(jié)束了自己充滿仇恨的一生。也許這才是她最佳的結(jié)局。那些像德伐日那樣以復(fù)仇為生活唯一目的的人，
即使命運(yùn)坎坷，也決不能博得人們的同情。
而在整篇小說中，最讓我喜歡也是最令人感動(dòng)的就是律師助手——西德尼·卡爾頓。他一出場就帶著一身憂郁，隱去了光芒，總是灰心、失望、冷漠、凄涼。他妥協(xié)于周圍環(huán)境，但有時(shí)卻又顯得格格不入，作為律師助手的他才華出眾，卻甘心情愿躲在人后，做別人成功的墊腳石，他仿佛親手筑起了一堵墻，隔絕了名利、社會(huì)，默默地逗留在角落里。他與查爾斯長得十分相似，也同樣深愛著露西，然而兩者命運(yùn)卻截然不同。他羨慕查爾斯，也恨他。可在經(jīng)歷痛苦的煎熬后，他依舊帶著誠摯的祝福，愿露西與查爾斯永遠(yuǎn)幸福，因?yàn)椤皭郾群薷鼮閺?qiáng)有力得多”。這個(gè)表面上懶散、放縱的“無用之徒”，內(nèi)心卻是崇高而純潔的。
終于，他向露西表達(dá)了自己的情感。每次讀起那段話，難免感到心酸，“我希望你知道你是我靈魂最后的夢。我是在墮落的生活中看見你和你的父親，還有你所經(jīng)營的那個(gè)甜蜜的家，才恢復(fù)了我心中自以為早己死去的往日的夢想。我也因此才感到比任何時(shí)候都要凄涼可憐。自從我見到你以后，我才為一種原以為不會(huì)再譴責(zé)我的悔恨所苦惱。我聽到我以為早已永遠(yuǎn)沉默的往日的聲音在悄悄地催我上進(jìn)…………”
當(dāng)查爾斯因?yàn)榧易宓姆缸锒粺o辜判決死刑，西德尼竟然代替他去斷頭臺(tái)接受行刑。在生命與愛之間，他選擇了后者。他愛露西，為了她的幸福，他為她的愛人獻(xiàn)出自己的生命。當(dāng)他走上斷頭臺(tái)的時(shí)候，面上依然保持著笑容，他信守對露西的諾言……因?yàn)?，他的愛便是他的生命。此時(shí)此刻，我的腦海中想起了裴多菲的那首詩：“我愿意是急流/山里的小河/在崎嶇的路上/巖石上經(jīng)過/只要我的愛人是一條小魚/在我的浪花中快樂地游來游去……”
盡管小說以一個(gè)意外的“大團(tuán)圓”收場，但當(dāng)讀者流著眼淚讀完該書時(shí)，卻感到無限的遺憾、心酸。有人說愛情是自私的，但在狄更斯的《雙城記》中，我卻能深深地感受到一種超脫世俗的最純潔、最崇高的愛。它隱藏在內(nèi)心深處，但卻無比的深厚；它默默地承受煎熬，為的只是使心愛的人幸福；它總是無私地付出，而不求一點(diǎn)兒的回報(bào)。這種愛在無形中上升到一個(gè)新境界，永恒地放著凄美而迷人的光彩。
“為了你，為了你所親愛的任何人，我愿意做任何事情。倘若我的生命中有值得犧牲的可能和機(jī)會(huì)，我甘愿為你和你所愛的人們而犧牲?！?/p>
1.It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way―in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of com#parison only.
那是最美好的時(shí)代，那是最糟糕的時(shí)代;那是智慧的年頭，那是愚昧的年頭;那是信仰的時(shí)期，那是懷疑的時(shí)期;那是光明的季節(jié)，那是黑暗的季節(jié);那是希望的春天，那是失望的冬天;我們?nèi)荚谥北继焯?，我們?nèi)荚谥北枷喾吹姆较?-簡而言之，那時(shí)跟現(xiàn)在非常相象，某些最喧囂的權(quán)威堅(jiān)持要用形容詞的最高級來形容它。說它好，是最高級的;說它不好，也是最高級的雙城記經(jīng)典語錄雙城記經(jīng)典語錄。
2.It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to, than I have ever known.
我現(xiàn)在已做的遠(yuǎn)比我所做過的一切都美好;我將獲得的休息遠(yuǎn)比我所知道的一切都甜蜜。
3.Never frown, even when you are sad, because you never know who is falling in love with your smile.
縱然傷心，也不要愁眉不展，因?yàn)槟悴恢钦l會(huì)愛上你的笑容。
4.To the world you may be one person, but to one person you may be the world.
對于世界而言，你是一個(gè)人;但是對于某個(gè)人，你是他的整個(gè)世界。
5.Don‘t waste your time on a man/woman, who isn‘t willing to waste their time on you.
不要為那些不愿在你身上花費(fèi)時(shí)間的人而浪費(fèi)你的時(shí)間。
6.Just because someone doesn‘t love you the way you want them to, doesn‘t mean they don‘t love you with all they have.
愛你的人如果沒有按你所希望的方式來愛你，那并不代表他們沒有全心全意地愛你。
7.Don‘t try so hard, the best things com#e when you least expect them to.
不要著急，最好的總會(huì)在最不經(jīng)意的時(shí)候出現(xiàn)。
8.Maybe God wants us to meet a few wrong people before meeting the right one, so that when we finally meet the person, we will know how to be grateful.
在遇到夢中人之前，上天也許會(huì)安排我們先遇到別的人;在我們終于遇見心儀的人時(shí)，便應(yīng)當(dāng)心存感激
9.Don‘t cry because it is over, smile because it happened.
不要因?yàn)榻Y(jié)束而哭泣，微笑吧，為你的曾經(jīng)擁有雙城記經(jīng)典語錄劇情。
10.If you love someone， let it be and set him/her free，if he/she com#es back to you，it"s meant to be.
如果你愛一個(gè)人，隨遇而安，讓他/她自由的飛，如果最后他/她還是回到你身邊，那就是命中注定的。
11.I love you not because of who you are, but because of who I am when I am with you.
我愛你，不是因?yàn)槟闶且粋€(gè)怎樣的人，而是因?yàn)槲蚁矚g與你在一起時(shí)的感覺。
12.No man or woman is worth your tears, and the one who is, won‘t make you cry.
沒有人值得你流淚，值得讓你這么做的人不會(huì)讓你哭泣。
13.The worst way to miss someone is to be sitting right beside them knowing you can‘t have them.
失去某人，最糟糕的莫過于，他近在身旁，卻猶如遠(yuǎn)在天邊。
免責(zé)聲明：本文僅代表作者個(gè)人觀點(diǎn),與本網(wǎng)無關(guān)。
《雙城記》是英國作家查爾斯·狄更斯所著的一部以法國大革命為背景所寫成的長篇?dú)v史小說，情節(jié)感人肺腑，是世界文學(xué)經(jīng)典名著之一。下面是關(guān)于的內(nèi)容，歡迎閱讀！
雙城記
I love you not because of who you are, but because of who I am when I am with you.
我愛你，不是因?yàn)槟闶且粋€(gè)怎樣的人，而是因?yàn)槲蚁矚g與你在一起時(shí)的感覺。
No man or woman is worth your tears, and the one who is, won‘t make you cry.
沒有人值得你流淚，值得讓你這么做的人不會(huì)讓你哭泣。
The worst way to miss someone is to be sitting right beside them knowing you can‘t have them.
失去某人，最糟糕的莫過于，他近在身旁，卻猶如遠(yuǎn)在天邊。
Never frown, even when you are sad, because you never know who is falling in love with your smile.
縱然傷心，也不要愁眉不展，因?yàn)槟悴恢钦l會(huì)愛上你的笑容。
To the world you may be one person, but to one person you may be the world.
對于世界而言，你是一個(gè)人;但是對于某個(gè)人，你是他的整個(gè)世界。
Don‘t waste your time on a man/woman, who isn‘t willing to waste their time on you.
不要為那些不愿在你身上花費(fèi)時(shí)間的人而浪費(fèi)你的時(shí)間。
Just because someone doesn‘t love you the way you want them to, doesn‘t mean they don‘t love you with all they have.
愛你的人如果沒有按你所希望的方式來愛你，那并不代表他們沒有全心全意地愛你。
Don‘t try so hard, the best things come when you least expect them to.
不要著急，最好的總會(huì)在最不經(jīng)意的時(shí)候出現(xiàn)。
Maybe God wants us to meet a few wrong people before meeting the right one, so that when we finally meet the person, we will know how to be grateful.
在遇到夢中人之前，上天也許會(huì)安排我們先遇到別的人;在我們終于遇見心儀的人時(shí)，便應(yīng)當(dāng)心存感激。
Don‘t cry because it is over, smile because it happened.
不要因?yàn)榻Y(jié)束而哭泣，微笑吧，為你的曾經(jīng)擁有。
If you love someone， let it be and set him/her free，if he/she comes back to you，it"s meant to be.
如果你愛一個(gè)人，隨遇而安，讓他/她自由的飛，如果最后他/她還是回到你身邊，那就是命中注定的。
雙城記讀書筆記2
這是一個(gè)最好的時(shí)代，這是一個(gè)最壞的時(shí)代;
這是一個(gè)智慧的年代，這是一個(gè)愚蠢的年代;
這是一個(gè)光明的季節(jié)，這是一個(gè)黑暗的季節(jié);
這是希望之春，這是失望之冬;
人們面前應(yīng)有盡有，人們面前一無所有;
人們正踏上天堂之路，人們正走向地獄之門。
復(fù)活在我，生命也在我。那些信我的人，雖然死了，也必復(fù)活;那些活著而信我的人，必定永遠(yuǎn)不死。
這是最好的時(shí)代，這是最壞的時(shí)代;這是智慧的年代，這是愚蠢的年代;這是信仰的時(shí)期，這是懷疑的時(shí)期;這是光明的季節(jié)，這是黑暗的季節(jié);這是希望之春，這是絕望之冬;我們的前途擁有一切，我們的前途一無所有;我們正走向天堂，我們也正直下地獄。
時(shí)之圣者也，時(shí)之兇者也。此亦蒙昧世，此亦智慧世。此亦光明時(shí)節(jié)，此亦黯淡時(shí)節(jié)。此亦篤信之年，此亦大惑之年。此亦多麗之陽春，此亦絕念之窮冬。人或萬物具備，人或一事無成。我輩其青云直上，我輩其黃泉永墜。
我今日所做的事遠(yuǎn)比我往日所作所為更好，更好;我今日享受的安息遠(yuǎn)比我所知的一切更好，更好......
時(shí)之圣者也，時(shí)之兇者也。
此亦蒙昧世，此亦智慧世。
此亦光明時(shí)節(jié)，此亦黯淡時(shí)節(jié)。
此亦篤信之年，此亦大惑之年。
此亦多麗之陽春，此亦絕念之窮冬。
人或萬物具備，人或一事無成。
我輩其青云直上，我輩其黃泉永墜。
這是最好的時(shí)代，這是最壞的時(shí)代，這是智慧的時(shí)代，這是愚蠢的時(shí)代;這是信仰的時(shí)期，這是懷疑的時(shí)期;這是光明的.季節(jié)，這是黑暗的季節(jié);這是希望之春，這是失望之冬;人們面前有著各樣事物，人們面前一無所有;人們正在直登天堂;人們正在直下地獄。
我現(xiàn)在已做的遠(yuǎn)比我所做過的一切都美好;我將獲得的休息遠(yuǎn)比我所知道的一切都甜蜜。
To the world you may be one person, but to me you may be the world.
不要著急，最好的總會(huì)在最不經(jīng)意的時(shí)候出現(xiàn)?？v使傷心，也不要愁眉不展，因?yàn)槟悴恢勒l會(huì)愛上你的笑容。對于世界而言，你是一個(gè)人，而對于某個(gè)人，你是他的整個(gè)世界。
那是最美好的年代，那是最糟糕的年代;那是智慧的年頭，那是愚昧的年頭;那是信仰的時(shí)期，那是懷疑的時(shí)期;那是光明的季節(jié)，那是黑暗的季節(jié);那是希望的冬天那是失望的春天;我們?nèi)贾北继焯?，我們?nèi)荚谥北枷喾吹姆较颉喍灾菚r(shí)跟現(xiàn)在非常相像，某些最喧囂的權(quán)威堅(jiān)持要用形容詞的最高級形容它。說它好，是最高級的;說它不好，也是最高級的。
雙城記讀書筆記3
《雙城記》是狄更斯最重要的代表作之一。這部歷史小說的創(chuàng)作動(dòng)機(jī)在于借古諷今，以法國大革命的歷史
從這個(gè)目的出發(fā)，小說深刻地揭露了法國大革命前深深激化了的社會(huì)矛盾，強(qiáng)烈地抨擊貴族階級的荒淫殘暴，并深切地同情下層人民的苦難。作品尖銳地指出，人民群眾的忍耐是有限度的，在貴族階級的殘暴統(tǒng)治下，人民群眾迫于生計(jì)，必然奮起反抗。這種反抗是正義的。小說還描繪了起義人民攻擊巴士底獄等壯觀場景，表現(xiàn)了人民群眾的偉大力量。然而，作者站在資產(chǎn)階級人道主義的立場上，即反對殘酷壓迫人民的暴政，也反對革命人民反抗暴政的暴力。在狄更斯筆下，整個(gè)革命被描寫成一場毀滅一切的巨大災(zāi)難，它無情地懲罰罪惡的貴族階級，也盲目地殺害無辜的人們。
這部小說塑造了三類人物。一類是以厄弗里蒙地侯爵兄弟為代表的封建貴族，他們“唯一不可動(dòng)搖的哲學(xué)就是壓迫人”，是作者痛加鞭撻的對象。另一類是得伐石夫婦等革命群眾。必須指出的是，他們的形象是被扭曲的。第三類是理想化人物，是作者心目中以人道主義解決社會(huì)矛盾、以博愛戰(zhàn)勝仇恨的榜樣，包括梅尼特父女、代爾納、勞雷和卡爾登等。
雙城記讀書筆記4
這是一個(gè)以兩百多年前的兩個(gè)偉大的城市為背景的故事。濃霧彌漫，車燈搖曳不定的倫敦，絕望、頹廢的巴黎的最底層。
對于當(dāng)時(shí)那場發(fā)生在巴黎的轟轟烈烈的大革命，太多人花了太多的筆墨去描述它。這對法國來說是一場具有重大意義的轉(zhuǎn)變，甚至對于歐洲，對于整個(gè)世界來說也是如此。作者狄更斯，是英國最杰出的現(xiàn)實(shí)主義批判作家之一。雖然他沒有親眼目睹，卻依靠自己豐富的想象力看到的當(dāng)時(shí)的景象。
《雙城記》被譽(yù)為描寫法國大革命的最杰出的代表作，我想最大的原因可能是因?yàn)樗呐c眾不同。和其他的作品，比如卡萊爾的《法國大革命》不同，狄更斯更注重的是底層人民的喜怒哀樂。盡管在那個(gè)時(shí)代，這些小人物本身并不能引起世界的關(guān)注。但是作者敏銳的捕捉到這些小人物和大革命有著千絲萬縷的聯(lián)系，可以說法國大革命本身就是有小人物們的力量所引發(fā)的。
在這部作品里，我看到了很多很多不同的人。正直善良卻慘遭迫害的馬奈特醫(yī)生，美麗溫柔的露西，優(yōu)雅高尚的查爾斯，忠厚老實(shí)的洛瑞，外表冷漠、內(nèi)心熱情，放蕩不羈而又無私崇高的西德尼，扭曲了人性的德發(fā)奇太太，豪爽忠誠的普洛士小姐，殘忍陰險(xiǎn)的埃佛瑞蒙兄弟……復(fù)雜的仇恨糾纏不清，殘忍的復(fù)仇制造了更多仇恨，愛在地獄的邊緣再生，卻是以生命為代價(jià)。這錯(cuò)綜復(fù)雜的一幕幕，活生生的展現(xiàn)在面前，仿佛重現(xiàn)了那個(gè)失去理智的時(shí)代。
作為一個(gè)優(yōu)秀的作家，在狄更斯的作品里，語言的精彩是必不可少的。各種修辭手法，比喻、夸張、對比、幽默、嘲諷，被運(yùn)用自如，而作品的藝術(shù)性也被送上巔峰?！啊谑?，克倫徹先生只得再聽檢察長先生怎樣把史蒂夫先生套在陪審團(tuán)先生們身上的緊身衣又一件件脫下來，翻個(gè)底朝天;……最后法官大人站了起來，把那件緊身衣里里外外搗騰了一遍，看得出來，他想為犯人裁剪壽衣?！敝T如此類精彩的段落，作品里比比皆是。于是，作者想要表達(dá)的每一個(gè)中心，都被體現(xiàn)得淋漓盡致了。我相信這對我們平時(shí)的學(xué)習(xí)，必定是大有幫助的。
有人說，《雙城記》是描寫了兩個(gè)男人和一個(gè)女人的故事，我卻覺得，這樣說的人必定沒有了解作者真正想表達(dá)的意圖。如果只是表達(dá)了這個(gè)，任何一部作品都可以達(dá)到露西和查爾斯的水準(zhǔn)，那么《雙城記》的優(yōu)勢怎么體現(xiàn)出來呢?在我看來，德發(fā)奇一家和法國貴族的仇恨也好，露西、查爾斯和西德尼的感情問題也好，都是為了體現(xiàn)一個(gè)共同的主題而設(shè)的。這個(gè)主題就是剖析這場大革命與民眾之間的關(guān)系，看到底是什么引發(fā)了這場革命，到底這場血雨腥風(fēng)給人們帶來了什么。我想這才是作者想要表達(dá)的重心所在。
